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So this isn't normally the kind of thing we would post on FEARnet, but ballet hasn't been this scary since Black Swan. Artist Javier Perez filmed ballerina Amelie Segarra dancing en pointe on knives. Pointe shoes take months just to learn to stand in; imagine doing it on the tip of a knife.
There are a few reasons I thought that FEARnet readers would be interested in this. First, it sounds like it would make an amazing Saw trap. Second, the short film - only three and a half minutes long - is loaded with danger. I'm sure there were plenty of safety measures in place, but it looks like she could fall and kill herself at any second. I sure didn't want to see that happen, but there was a morbid curiosity there. And third, the film is beautiful and tense. The cavernous theater, the quick edits that ramp up the longer she dances, had me on edge more than any horror movie in a very long time.
It's only because the phrase "the horror version of Paul Thomas Anderson's Magnolia" popped into my head three or four times during the excellent new horror film Proxy that I feel comfortable bringing it up here. That certainly sounds like a glib and lofty piece of praise for a bizarre indie thriller that starts out darkly compelling and slowly grows more unpredictable every fifteen minutes, but the surface-level comparison seems to fit. Much like the strange and challenging Magnolia, Proxy starts with one offbeat story -- and then branches off into a variety of darkly fascinating directions.
Let's get this colorfully simple statement out of the way right now: the slick, stylish, and admirably fast-paced thriller called Grand Piano could easily be described as "Phone Booth in a concert hall" -- except that it's quite a bit better than that. That description just makes for some easy short-hand in the early part of a film review that (hopefully) serves to pique your interest. Because make no mistake: Grand Piano is simply a whole lot a "high concept" entertainment with a welcome sense of character, timing, restraint, and cleverness. Also great music. And a few sequences that you Hitchcock and/or De Palma fans will truly adore.
For those who may be unfamiliar with the term "high concept," here's a perfect example of one: Tom Selznick (Elijah Wood, whom it is literally impossible to not love) is one of the world's finest pianists, but he's back on stage after a devastating professional failure and a five-year hiatus from performing. His plan is to play a very swanky concert in Chicago, with full orchestral support, on a very special piano, regain some confidence, and move on to happier times. No pressure on Tom, right? Let's not forget that he's married to a monumentally-adored Hollywood actress AND that most of his fellow musicians legitimately dislike the guy.
Let's just say it's easy to root for Tom Selznick long before he takes the stage, tickles the ivories, and discovers that there's a sniper in the concert hall who is pointing a rifle directly at his wife.
That's "high concept," all the way like Phone Booth had a man trapped in a tiny glass case and Speed had "the bus that couldn't slow down," Grand Piano has a world-class pianist who is forced to play flawlessly or have his wife gunned down by a madman with a truly strange motive. To say anything more would rob the viewer of the numerous twists and jolts found within Damien Chazelle's screenplay, but if the set-up sounds amusing to you already, I can attest that the presentation is even better.
Director Eugenio Mira is clearly intent on giving his audience a visual feast to go along with the lovely music and the slowly mounting suspense. The cinematography is simply beautiful in many of the quieter scenes, but as the music and the intensity build to a feverish finale, the viewer is treated to a wide variety of camera tricks and visual flourishes that add style, class, and energy to a concept could easily come off as dry, dull, or silly.
In addition to a calm but obvious sense of humor surrounding the entire concept, Mr. Mira also has a fantastic cast to work with: in addition to the always affable Elijah Wood (who pulls off some fantastic physical tricks in the movie!), we also have the veteran character actor Don McManus as a colorful conductor with a good heart, old-school movie geek favorite Alex Winter as a security guard with a few secrets to hide, the warm and adorable Kelly Bishe as Tom's loving wife, and (mostly) the malevolent voice of John Cusack as the sniper with a serious grudge.
Proof positive that simple "crowd-pleaser" thrillers can be produced on relatively smaller budgets and still hit the screen looking like well-crafted Hollywood fare, Grand Piano is nothing more than 90 minutes of quick, slick, and disarmingly classy fun. The "sniper in a concert hall" may sound like a bit of a stretch, but let's just say the "thriller" shelf would be a lot more interesting if half the movies were as well-made as Grand Piano.
Just when you're sure the "found footage" horror hook has snatched its final breath... up pops another really good example to remind us that, yep, there really is some craftsmanship and creativity to be found in this storytelling format. I freely admit to being a big fan of the found footage presentation, and just because I've seen dozens of really awful examples, that's not going to keep me from digging into movies like Afflicted.
You'll probably hear this a lot when Afflicted comes up, so let's get it out of the way now: yes, this film feels almost like a companion piece to the oddly appealing "found footage superhero" film known as Chronicle. Both movies deal with a group of friends who discover some crazily superhuman new powers, use handheld video cameras to document their exciting new powers, and then grow to realize that Mother Nature is nothing but a cruel and ironic woman. But while Chronicle dealt with three pals who stumble across "super powers," Afflicted focuses on two lifelong friends who are forced to deal with a transformation decidedly less appealing than that of a "superhero." I don't want to spoil anything; let's just say that Afflicted is a very novel spin on a potentially familiar horror story and leave the specifics for the viewer to enjoy.
Co-written, co-starring, and co-directed by two plainly talented young filmmakers named Clif Prowse and Derek Lee, Afflicted is about two lifelong pals who decide to spend a year traveling across the globe while documenting their adventures on their blog. But Derek has a disturbing altercation with a beautiful young lady in Barcelona, and it doesn't take long for the audience to realize that Derek is now "afflicted" with a seriously effed-up medical problem. After a chatty but appealing first act, Afflicted gets down to some seriously interesting genre exercises in Act II before settling into a finale that's quite a lot of fast-paced (and sometimes very splattery) fun.
The astute genre fans will no doubt recognize a few of the inspirations here. In addition to Chronicle, Afflicted taps into themes and ideas that are also found in An American Werewolf in London, The Lost Boys, even David Cronenberg's rendition of The Fly. That's not to compare Afflicted to any of these very good movies, but it's comforting to know that Mr. Prowse and Mr. Lee are not only impressive filmmakers in a technical sense; they also have really good taste in horror movies.
Afflicted is simply a very clever spin on a very old and scary story, but what makes it a bit more impressive than that is how it illustrates how cool "found footage" can be when it's done with serious care and craftsmanship. As a survivor of more low-budget found-footage flicks than I can count, I take great pleasure in finding a new one that advances the technique instead of simply treading old ground. Basically, Afflicted is a great example of what can happen when high-tech, high concept, and old-fashioned scary storytelling are combined into one little ass-kicker of a horror film.
Best of all, Prowse and Lee seem to realize that no amount of creative camerawork or nifty special effects will matter if you don't have some characters worth caring about. Afflicted is a truly impressive debut: clever, creative, and (yep!) seriously creepy stuff that should please horror nuts and relative scaredy-cats in equal measure.
On the heels of last week's haunting clown sightings in Britain comes the tale of Le Loyon, a mysterious figure who seems to be haunting the western forests of Switzerland.
Reports of Le Loyon have circulated amongst the locals for the last decade, but it wasn't until about a month ago that someone was able to snap a photo of him. Unlike the chupacabra or bigfoot, Le Loyon is a real human being - which may make him even scarier. Eyewitnesses have said that the man wears a military cape, boots, and an army-issue gas mask. He is said to walk the same path every day, and has been seen with a bouquet of flowers on at least one occasion. There have been no reports of this man being violent or aggressive - usually he just stares at people he comes across - but he is scaring children and families are no longer going into the woods, and describe encounters with him as "unpleasant."
Theories range from Le Loyon being mentally ill, or suffering a skin condition, to simply being some kind of hermit or survivalist. Authorities are keen to speak to the mystery man. "The situation is delicate because we basically have nothing against this person," said Guy Savary, the municipal official in charge of forests. "But since he arouses these fears, we are going to hold meeting to see if we can find a way of locating him, and discouraging him from behaving as he does."
Which would scare you more? A silent, staring clown, or a silent, staring man in a gas mask? Either way, I think I am going to stay off the European continent for awhile.
Source: The Australian
Human kids have books that teach them everything from the alphabet to pooping. Why shouldn't the undead kids have their own book? That is where A Brain is for Eating by Dan and Amelia Jacobs comes in. Described as "A book for zombie children that teaches the little walking undead how to find their next meal," A Brain is for Eating teaches zombie kids about things like the zombie food pyramid (it's all brains) and why it's okay to eat a liver, lung, or even a spleen. Illustrations by Scott Brundage really tie the book together.
$19.99 at ABrainIsForEating.com
As usual, some crazy shenanigans are going down this weekend in Austin, Texas as part of the annual Fantastic Fest. Among them? Director E.L. Katz and stars Pat Healy, Ethan Embry, and David Koechner of 'Cheap Thrills' dare someone in the audience to get the title of the film tattooed on their body. Is someone up to the challenge? Watch for the answer!