



The Walking Dead season three blu-ray set was released yesterday, just in time for audiences to catch up before the fourth season starts on AMC on October 13th. Even if you can’t snag one of the amazing special-edition sets, the traditional five-disc set contains plenty of special features, including deleted scenes, episode commentaries, and nearly a dozen featurettes. One of the featurettes looks back on the notable deaths this season, but one was left out: Milton. The Governor’s erstwhile lackey, Milton’s death was a pivotal part of the season finale, and we decided to give him his due. We spoke to Dallas Roberts, the actor who played Milton, to ask about dying on The Walking Dead.
“I found out for sure [that I would die] when we were shooting three episodes before. I got a call from Glen Mazzara, who was the showrunner at the time, and he said, “I’m calling to let you know that Milton is going to kick it.” I had seen it coming, so I was like, “Great! How? Let’s make it fun.” So it was a good phone call.
“I knew I wouldn’t be long for the show. There was one of two ways it could have gone. Milton could have escaped the Governor’s clutches and be assimilated into the prison group; or that he was there as a function of this storyline. It kept reinforcing itself that he was just a function of this storyline and he needed to go through the quandaries that he did, and go out. I was happy to do my time there.”
Sundance Channel's The Writer's Room - hosted by Community's Jim Rash - takes viewers into that most elusive place, the writer's rooms of your favorite TV shows. The season finale, airing September 2nd, is all about American Horror Story. Series creators Ryan Murphy and Brad Falchuk of talk about the impetus for the series, and how their writer's room is more like hanging out at home.
American Horror Story: Coven, the third season of the series, premieres on October 9th on FX.
When most horror-loving filmmakers "hearken back" to the great old 1980s, they do it a lot like Adam Green did in his broadly (and gorily) likable Hatchet trilogy: they remind the viewer what we (hopefully) love and remember from the horror movies we saw when we were younger. A lot of those movies were pretty darn silly, but we loved them all the same -- a sentiment that certainly works for children of any generation.
I love Psych, the USA comedy about a fake psychic solving real murders in Santa Barbara. Every year, the show does at least one horror-themed episode, written by series star James Roday (who plays fake-psychic Shawn Spencer). Past episodes have offered dead-on spoofs for Friday the 13th, The Shining, Twin Peaks, and found footage flicks. In the upcoming season eight, Psych will tackle one of my all-time favorite horror films: A Nightmare on Elm Street.
In the episode, titled "A Nightmare on State Street," Shawn's best friend Gus seeks treatment for night terrors that have left him sleep-deprived. This will be the final episode of season eight - which will likely be the show's last season.
Guest stars in "A Nightmare on State Street" include Broadway-star Sutton Foster (who also stars in Roday's feature directorial debut, the horror-comedy Gravy) as a "sweet middle school teacher;" Billy Zabka (the head of Cobra Kai in The Karate Kid) as a gym teacher; WWE Divas the Bella Twins as "sinister, double-dutching, demonically sexy sisters who equal parts terrify and tantalize Gus;" Bruce Campbell as Gus's dream therapist; and Curt Smith from Tears for Fears (who will likely play himself).
The thrill of a good horror movie is feeling immersed in the intensity of a dangerous situation, all the while knowing that it’s all just a work of fiction. But what happens when that rush of cinematic fear is prefaced with “based on a true story?” You no longer have the comfort of calming your nerves with “it’s all just make-believe.” For movie studios, the hype that surrounds a horror film that claims to be based on a true story results in box office gold.
Without a doubt, the highest grossing horror films that claim to be based on a true story are the ones that have involved the paranormal investigators Ed and Lorraine Warren. Their most notable cases that went Hollywood are The Amityville Horror, The Haunting In Connecticut, and most recently The Conjuring. Soon the Warrens will have yet another Hollywood blockbuster attached to them when the reported The Conjuring sequel, based on another one of their paranormal case files, comes out. So what’s the next “based on a true story” movie going to be about? It’s still too early to tell, but a quote by Ed and Lorraine's son-in-law Tyler gives us a little insight into some of the cases they might be considering:
"The sequel to The Conjuring has NOT been determined yet. The Enfield Poltergeist case is only one of about a dozen cases being considered for the sequel. The Annabelle doll, the Satanic Idol found in the woods, Amityville, the Maurice Exorcism, and others have all been talked about. It is way too early to discuss which case will be the basis for the next installment of The Conjuring."
The question that emerges once financial gain becomes an issue is: how much is actually true and how much is the imagination of Hollywood scriptwriters? Andrea Perron, one of the family members who lived the horror on which The Conjuring was based on was quoted saying, “There are liberties taken and a few discrepancies but overall, it is what it claims to be — based on a true story, believe it or not.”
The Warrens’ most famous case, and also most criticized, is the Amityville Horror. One of the statements that seem to raise the most questions for me was from horror author Ray Garton. Mr. Garton wrote an account of the hauntings of the Snedeker family and was quoted as saying, “The family involved, which was going through some serious problems like alcoholism and drug addiction, could not keep their story straight, and I became very frustrated; it's hard writing a non-fiction book when all the people involved are telling you different stories."
Peruse through the comments on the most popular paranormal YouTube videos and you’ll see the reality of “based on a true story” tales is a much-heated debate on both ends. For every believer, there is a skeptic chomping at the bit to debunk any evidence brought to light. One thing is for sure, and what Hollywood is banking on, whether you believe or not… you’ll still buy a ticket and watch.
What do you think? Do you believe these events actually happened? Let me know in the comments below.
Anthony Pernicka is the owner and writer for horror website and app www.iHorror.com
If you grew up as a horror film fanatic in the 1980s, you may have run through most of the American slasher flicks and occult thrillers -- and then you rented Lucio Fulci's 1980 cult favorite Zombie, which hopefully led you to all sorts of gore-laden apocalyptic mayhem from Italian splatter-slingers like Umberto Lenzi (Nightmare City), Lamberto Bava (Demons), and Bruno Mattei (Night of the Zombies) -- which hopefully led you back to more Lucio Fulci. Anyway that's sort of what happened to me, and while it's true that the more refined "giallo" thrillers from directors like Dario Argento seem to get most of the respect these days, lots of horror fans still enjoy those cheap, gory, sometimes awful Italian zombie flicks.
Way back in September of 2006 I reviewed the rather impressive horror film called All the Boys Love Mandy Lane. It has never opened in America. Until this month, that is! Radius/TWC has finally rescued this darkly amusing little indie from financial nightmare limbo (it's a long and boring story, believe me) and you can finally see it for yourself. With the new release in mind, I went back and spruced up my ancient review for you FEARnet freaks:
First-time writer/director team Jacob Forman and John Levine obviously grew up knee-deep in Halloweens, Friday the 13ths, and probably a hundred other slasher flicks, because their All the Boys Love Mandy Lane works as both a spooky, gory homage and as a deconstruction of the age-old "dead teenager movie" stereotypes. (Deconstruction or perhaps destruction. You can choose.)
As the film's title clearly indicates, all the boys really do love Mandy Lane. She's sweet, she's sexy, she's stacked, and she's weirdly nice to everyone. The gal's popularity crosses all the high school demographics, and she acquits herself in a chaste-yet-jiggly fashion. So when Mandy is invited to a weekend getaway with a quintet of typically one-note schoolmates, she figures it'll be a good opportunity to be accepted as a "normal gal" -- as opposed to a "figure of perfection."
Suffice to say that things don't exactly work out that way. Saddled with a crew that includes a jock, a stoner, a slut, a bitch, and a horny jerk, Mandy slowly begins to realize that she doesn't have much in common with her hard-drinking, pot-smoking, coke-snorting, sex-lovin' classmates. And then, of course, a mystery guest pops up and starts slashing everyone to ribbons.
Taken as a straight-faced and enjoyably grim throwback to the halcyon days of mid-'80s slasher-dom, All the Boys Love Mandy Lane works exceedingly well. But since those flicks weren't exactly swimming in character development, depth, or subtext, Forman & Levine have decided to play with the rules that we gorehounds know so well. There's some solid humor to be found in the flick, but don't let that fool you: Mandy Lane is true-blue horror all the way. It's alarmingly dry, sly, and insightful as well, sort of like a slasher flick version of The Last Picture Show.
The filmmakers are supported by a surprisingly strong cast, and leading lady Amber Heard is the doe-eyed anchor in a sea of devilry, debauchery, and death. Her co-stars do a fine job of bringing the typical stereotypes to life, each with their own small semblance of wit, color, or humanity. Hell, you might actually care when some of these victims meet their shrieking demise. And how often does that happen in a slasher flick?
Bringing a quietly artistic taste of teen-aged sexual politics to a sub-genre that's generally disinterested in anything resembling brains, wit, or subtext, All the Boys Love Mandy Lane is what we might actually call a "thinking man's slasher flick." Hell, it might just be the first one ever.
Plus the last ten minutes are icky, intense, and certifiably insane.
The Fox drama starring Kevin Bacon has added a lot of new characters for the upcoming season (slated to return in January) - and half of them are Dexter alums! Keith Carradine, who played Frank Lundy in seasons two and four, joins as Barry, a "trusted friend" of Bacon's character, Ryan Hardy. Sam Underwood, who plays Dexter's protege Zach in the current season, joins the show as Luke, "a very complicated and dangerous young man who may or may not be a follower of the “late” Joe Carroll." Non-Dexter actors joining for season two include Connie Nielsen (Gladiator) as a Soho art dealer who finds herself in a bit of trouble that only gets more complicated when Ryan comes to her aid. Jessica Stroup (Prom Night, The Hills Have Eyes II) joins as Ryan's niece, Max; Tiffany Boone (Detention) and J.D. Williams (The Wire) will play new cult members; and James McDaniel (You're Nobody 'til Somebody Kills You) joins as a new FBI agent.
The Originals
Alexandra Metz (Chicago Fire) has joined The CW's The Vampire Diaries spin-off, The Originals. Metz will play Katie, "a beautiful and mysterious witch with a hidden agenda that will have shocking ramifications for the supernatural community of New Orleans." Which could pretty much describe every character in The Originals. The show premieres October 3rd.
Penny Dreadful
Showtime's new gothic horror series, which will debut this spring, combines the stories of some of literature's most famous monsters. Former James Bond, Timothy Dalton, has been cast as Sir Malcolm, "a hardened African explorer on a deeply personal quest." Reeve Carney (Spider-Man: Turn Off the Dark) joins as Oscar Wilde's character Dorian Gray, a man who makes a deal with the devil to never grow old. Instead, a portrait of him in the attic ages.
Alexis Denisof (Buffy the Vampire Slayer, Angel) reunites with producer David Greenwalt for Grimm. Denisof will play Viktor Albert Wilhelm George Beckendorf, first cousin of nefarious royal Eric Renard. If his family bloodline is any indication, he's going to be a smarmy bastard - and we will love every minute of it.
Nicholas Gonzalez (Anacondas: Hunt for the Blood Orchid) joins Fox's Sleepy Hollow as the ex-boyfriend of Detective Abbie Mills. He is on the Sleepy Hollow Police Force as well. Sleepy Hollow premieres on September 16th on Fox.
Sources: TV Line, Deadline, Hollywood Reporter
Fret not young ones. Sure it may be time to go back to school, but that also means that we're a mere 2 months away from Halloween! And we all love Halloween, right? Maybe not as much as Sam from 'Trick 'r Treat' but regardless, who wouldn't be excited to enter this spooky time of year?! To kick it off right, we're re-presenting to you Michael Dougherty's 'Trick 'r Treat' short film titled "Back To School"! And remember, this Halloween we'll be airing 24 hours of 'Trick 'r Treat' only on FEARnet! Enjoy, fiends! And have a good labor day!
I guess the cast and crew of The Walking Dead have grown tired of keeping every last detail of the show under wraps, because two months before the premiere date, they are dishing on what is coming up in season four. Here are some of the highlights:
Most interesting seems to be a "new threat" on the horizon. According to the new showrunner, Scott Gimple, "It's someone we haven't seen before. Someone unusual; you can't stab them in the face, you can't reason with it. It's a force that would be dangerous in this world and in the world of The Walking Dead, it's terrifying." If I had to guess, I would say we are going to be dealing with a natural disaster or two. They are in the south, so it seems a hurricane is in order.
In addition to the "dangerous force," the zombies will be even more threatening. According to producer Greg Nicotero, "We've devised ways to put our characters in instantaneous jeopardy without them being prepared for it. Danger could come from anywhere, and it was really important that we re-establish the rules of our world." Suddenly our champion zombie killers aren't so cocky anymore!
A burgeoning new community at the prison will bring huge changes. "Some people buy it and some people don't subscribe to it and some don't really conform to it," says producer Greg Nicotero. Rick will finally focus on being a father, not a megalomaniac. Producer David Alpert promises that this will be a "very different Rick" but however long that will last, is "another question."
And apparently, the Governor will get even darker. According to actor David Morrissey, "He doesn't carry what happened at the end of season three very lightly. He was a man that recognizes a switch went off in his head and even though he's done terrible things, that ramped him up to somewhere else and he was out of control. That's a very worrying thing for him and that switch takes him into this dark place." Short of the Governor bursting into flames and becoming an actual demon, I'm not sure how much darker he can go.
The Walking Dead starts its fourth season on October 13th on AMC. To read more dish, check out the entire article at Hollywood Reporter.