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DIY Monster Makers: 'Alien' Xenomorph Transformer Ring from Kilroy's Attic

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When it comes to inhuman but strangely sensual monsters, it's hard to top H.R. Giger's original Alien design, and artist Kilroy's Attic didn't attempt to improve on perfection. Instead, he made that unforgettable image the launching point for the “Sexy Beast,” the first in a series of transforming rings that unfold into “knuckle-duster” style mock hand weapons.
 
Ring1
 
While the fully-transformed piece is worn like traditional brass knuckles, don't expect to put it to defensive use, since it's actually made of vinyl resin. The Alien's head becomes the palm segment which locks the unfolded ring base into position.
 
Ring3
 
The ring is available in sizes 6 through 11.25, and is selling for $55 at the artist's Etsy shop, along with other transforming ring designs.
 
Ring2Ring4
 
Be sure to keep an eye on the Kilroy's Attic blog for future variants on the xenomorph theme (with photos of works in progress), and check out this demo of the ring's transformation:
 

'You're Next' and 10 Other Horror Films That Sat on the Shelf for Years

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Last weekend marked the long awaited theatrical release of You're Next, a home invasion horror flick that premiered on the festival circuit just about a full two years ago, way back in September of 2011. (Check out our review here.) Is it uncommon for such a highly praised film to take so long to enter our lives? Well, not exactly.
 
Today we take a look back at ten other horror films that also spent a lot of time on the shelf before getting released, the majority of which ended up becoming big time fan favorites. Go figure!
 
Film1
 
Henry: Portrait of a Serial Killer
 
Though widely regarded as one of the best and most disturbing horror films the genre has ever seen, John McNaughton's real-life-inspired Henry: Portrait of a Serial Killer was made in 1986 but not released until 1990. Several factors contributed to the delay, but it was the film's extremely graphic content that was largely responsible, and an ongoing battle with the MPAA held the release in limbo for four years. After being handed the dreaded X rating, Henry was eventually released unrated in early 1990, and was one of several films which led to the MPAA creating the NC-17 rating. Oddly enough, though he typically frowned upon horror films, the late Roger Ebert praised Henry and called it "a low-budget tour de force."
 
Film2
 
Rabid Dogs (a.k.a. Kidnapped)
 
The film which has the distinction of sitting on the shelf for the longest time out of all the titles on this list is Mario Bava's Rabid Dogs, which was made in 1974 but remained unreleased in 1998... and no, those dates are not typos. The story goes that during the final stages of production, before the film was completely shot, the producer went bankrupt, with legal issues preventing it from ever being completed or released. Long after Bava's death, the long-lost film finally hit DVD in 1998 under the title Kidnapped.
 
Film3
 
House of 1000 Corpses
 
It was in early 2000 that Rob Zombie took his first film script to Universal Pictures, and production on House of 1000 Corpses began in May of that year. Despite the fact that they were on board with the project, Universal got cold feet after they saw the finished cut of the film, fearing that it would never get handed anything less than an NC-17 rating. Though they refused to release the film, Zombie was eventually able to buy the rights back from the company and eventually sold them to Lionsgate, who released Corpses in April of 2003... three years after the film's 25-day shooting schedule wrapped.
 
Film4
 
All the Boys Love Mandy Lane
 
This slasher film from Jonathan Levine began swooping up acclaim on the festival circuit in 2006, and saw theatrical and home video release in the UK in 2008. In the US, on the other hand, Mandy Lane was nowhere to be found. Originally slated for release in 2007 by the Weinstein Company, a series of box office flops (including Grindhouse) led to them selling off the film to another company, which soon thereafter went out of business. For the next six years not a peep was heard about the film, until earlier this year when the Weinstein Company announced that they once again had secured the rights, and would be releasing it On Demand on September 6th and in theaters on October 11th. No doubt the box office success of Levine's Warm Bodies paved the way for this long-lost gem's stateside debut.
 
Film5
 
Paranormal Activity
 
Independently made on an extremely low budget by then-unknown filmmaker Oren Peli, Paranormal Activity had its worldwide premiere at the October 2007 Screamfest Film Festival, two years before it terrified the masses in 2009. Why the long wait? Well, Paramount/DreamWorks initially bought the rights to the film with the intention of remaking it with a bigger budget, but once they realized how effective Peli's original film was (largely due to a strong reaction to the screener from Steven Spielberg), they decided to instead just release that version. Paramount did tinker with the film a bit, however, changing a few scenes and filming a brand new ending, and released their modified cut in September of 2009.
 
Film6
 
Case 39
 
Renée Zellweger hasn't exactly had the best luck in the horror genre. After an embarassing early career appearance in 1994's Texas Chainsaw Massacre: The Next Generation, the Academy Award-winning actress returned to the genre with Case 39, which began production in 2006. A victim of constant release-date-shuffling, the film was originally set to debut in February of 2008 and then pushed back several times, over the course of several years, before finally hitting theaters in October of 2010. According to director Christian Alvart, the film was never a priority for Paramount, which is why they held off on releasing it for as long as possible. It ended up ranking in 7th place at the box office on its opening weekend, and most horror fans agreed that this was one film that wasn't worth the wait. Both Zellweger and co-star Bradley Cooper, who had moved on to bigger and better things by 2010, have declined to speak about the film.
 
Film7
 
Trick 'r Treat
 
For a couple of years after its initial film festival premiere in 2007, Michael Dougherty's anthology Trick 'r Treat became a thing of legend: it was the one film that every horror fan absolutely needed to see, an instant cult classic that stood alongside John Carpenter's Halloween as one of the very best horror movies set during All Hallows' Eve. But aside from various festival screenings throughout 2008 and 2009, there was virtually no way to see it, even though by that point you could already purchase toys of the film's loveable icon "Sam." Talk about a tease! Warner Bros. and Legendary Pictures finally released the movie in October of 2009, but they didn't bother to give it any sort of theatrical run; instead, Trick 'r Treat went straight to DVD and was immediately embraced as one of the most beloved horror films of the decade. Of course, now you can watch Sam every year, right here on FEARnet, for our annual Halloween 24-hour Trick R Treat marathon.
 
Film8
 
The Poughkeepsie Tapes
 
This is the only film on our list that not only hasn't yet seen widespread release, but is seemingly never going to see the light of day. The found-footage serial killer flick first surfaced in 2007 and was picked up by MGM, who planned on releasing it that year, and trailers for it were even attached to other horror films that hit theaters around that time. Then... nothing.The Poughkeepsie Tapes all but disappeared from the radar, and it's very hard to find any information as to why MGM pulled it (though it may be due to the film's extremely disturbing content), or when we'll be able to see it, if ever. Fortunately, the movie led to a lucrative film career for director John Erick Dowdle, as he subsequently directed the studio features Quarantine and Devil.
 
Film9
 
Return to Sleepaway Camp
 
The Sleepaway Camp franchise hasn't had much luck after the release of the third film, an unlucky streak that began with a planned fourth installment that was partially shot in 1992, but never completed. 11 years later, in 2003, the brand new entry Return to Sleepaway Camp wrapped production, with a planned theatrical release date the following year. On top of problems with many of the CGI effects, there was a lack of distributor interest in the movie, and director Robert Hiltzik wasn't all that happy with the finished product. All of those factors led to the movie's plans meeting the same fate as the character of Ally in Sleepaway Camp 2: getting flushed down the toilet. Return to Sleepaway Camp finally surfaced in November of 2008, an admittedly terrible but fun-to-watch sequel that went straight to DVD.
 
Film10
 
The Cabin in the Woods
 
We round things out with this game-changing epic created by Joss Whedon, which suffered a long and troubled journey to the theater. Completed in May of 2009, Cabin was scheduled for release by MGM shortly thereafter in February of 2010 – a plan that fell apart when the company decided to take some extra time to convert it to 3D, to capitalize on the growing popularity of the gimmick. The new date fell nearly a year later in January of 2011 – but that plan also went awry when MGM ran into financial trouble and eventually filed for bankruptcy. The film's release hung in the balance for over a year after that, and horror fans rejoiced when Lionsgate announced that they had bought the rights from MGM in July of 2011. True to their word, they released The Cabin in the Woods on April 13th, 2012, and it was widely considered to be the best horror film of that year.
 
Which films were worth the wait, and which weren't?  Comment below and let us know!

'True Blood' Season 6 Autopsy

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Strue bloodeason six was the best season of True Blood in several years. It is never going to be a “good” show to the level of, say, Breaking Bad, but it no longer feels like a child’s fairytale (an occasionally dirty fairytale). Nor was it a rehashing of generic supernatural mythologies (witches) or power struggles (the Authority).

Let’s make some predictions for season seven. First off, Eric is not dead. He’s just not. Watching him light on fire in the season finale, I didn’t think he was dead for even one second. I assume Pam is going to get there in time to save him - she had blood more recently than Eric, so there is a chance that she will have a few minutes more daywalking time than Eric. Maybe some human passerby will save him. But Eric is not dead. No puddle of vampire viscera = no true death.

Maybe this is just wishful thinking, but I really, really hope the fairy business is done. Niall’s magical return at the end of season six probably means it won’t be, but that was the icing on an absurdist cake. The werewolves will finally have a use next season, because I bet they will not be happy about Alcide dating a non-wolf.

Things won’t go well between Jason and Violet. I imagine her insane jealousy will cause problems, maybe turn Violet violent. I think there are two likely scenarios with the Nicole / Sam storyline. Either she won’t be able to handle the pressure of being a young mother and bail, or she will die in childbirth. (Her human vagina will be unable to handle the birth of a supernatural creature.) Either way, Sam will be left as a single dad. I just really hope he doesn’t hook up with Arlene.

With Bill the new spokesperson for the vampire movement, Jessica is going to be a little lost. I don’t know if the James thing will last. But with baby vamp Tara and baby-er vamp Willa (who will be a series regular next year) without their makers, I think Jessica will step in as Mama Vamp.

And, of course, zombies. Well, vampire zombies - but zombies none the less. I hope / assume this will up the carnage quotient considerably.

What are you thinking? Where will season seven end up?

The 'Stakes' Have Never Been Higher In This 'American Horror Story: Coven' Teaser

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In the most literal example of American Horror Story's subtitle thus far, the new AHS: Coven clip features three "witches" being "burned" at the stake. Actually, they are hovering, and not really burning. So maybe the witches will "win" in this time around. Actually, in AHS, there are never any winners, ever. 

Except maybe the audience.

American Horror Story: Coven premieres on October 9th on FX.

Ghoul: 'Intermediate Level Hard-Core'– EP Review

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Ghoul_2013
 
A couple of years back, we discovered a psycho squad of bag-headed shock rockers who call themselves Dissector, Digestor, Cremator, Fermentor and Mr. Fang – all hailing from the faraway land of Creepsylvania (although rumor has it they also like to hang out in Oakland, CA). That band of musical maniacs is better known as Ghoul, and their album Transmission Zero was one of the most entertaining and outrageous horror music entries of 2011, unleashing a patchwork behemoth of hardcore punk, surf rock, thrash and death metal on unprepared ears and brains, all brought to howling life with slasher-movie synths and spookhouse sound effects. It's no surprise they've toured with the likes of GWAR, and with their latest diabolical sound experiment Intermediate Level Hard-Core, the GWAR connection runs even deeper.
 
Ghoul_ILH
 
Mainly collection of cover tunes from hardcore and punk/thrash crossover bands who thrived in the early to mid-'80s, this EP also features Ghoul's unique take on “Americanized” – a track from GWAR's 1988 debut album Hell-O!, made especially memorable here by the guest appearance of GWAR's master mutant himself, FEARnet fave Oderus Urungus. While GWAR's sound was more or less a punk/thrash hybrid in '88, “Americanized” is still something of an exception to the rule here, as the rest of the source material for the EP is derived from the genre's underground origins, which began in the late '70s and had started to lose steam a decade later. Listening to Ghoul jamming with Oderus here, it's hard to believe the original “Americanized” is 25 years old; that song was part of my first shocking exposure to GWAR's stage show, and the same rabid energy of those chaotic, ultra-violent early performances comes across in the video, which features Oderus himself (of course). 
 
[Note: NSFW language ahead]
 
 
Continuing the tradition of tossing political correctness on the bonfire, Ghoul then tackles “Blow Up the Embassy,” a mid-'80s cult classic from Texas underground unit Fearless Iranians From Hell, infusing the song with extra menace through more modern elements, particularly the beefy riffs and snarling black & death metal-style vocals. “E.M.S.& D” from Minnesota hardcore heroes Willful Neglect gets the more straightforward punk treatment, tearing along at a blistering pace (though allowing for a quick solo) matched only by that of “Propaganda Control,” a barn-busting cover of an early '80s cut by N.O.T.A. (None of the Above), an Oklahoma-based band with a small but intense cult following; the gloriously trashy drums are the real driving force on this one. The final tune, “Proud to Be Creepsylvanian,” should be familiar to fans of controversial Canadian punk/thrash legends Dayglo Abortions, whose original “Proud to Be Canadian” (from their 1986 record Feed Us a Fetus) gets the monster treatment here; the memorable original riff is melodically intact, but with a darker, more horror-fueled edge derived from the monster vocals (especially at the end). It runs a close second to “Americanized” for pure manic fun, and both tracks demonstrate how easily Ghoul's modern mashup style translates to older material.
 
Whether you're already onboard with Ghoul's manic brand of “splatter-thrash,” or just pine for hardcore's lo-fi golden era, there's plenty to love in this mini-collection... well, maybe “plenty” is the wrong word, since most of the tracks are less than two minutes long. But for the fun factor alone, it's totally worthwhile at $3 for a digital copy via their label, Tankcrimes.

Goodbye Miami! Clips From 'Dexter ' 810!

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Only 3 more episodes left of 'Dexter' and the show reaches it's series conclusion! A lot was set up in this last week's episode "Make Your Own Kind Of Music" (read Alyse's TV recap to catch up). With the Brain Surgeon back, a Federal Marshall hot on Hannah's trail and Dexter's sudden decision to start a new life, what will the remainder of the final season hold? Below are a slew of hints from Episode 10 "Goodbye Miami," which airs Sunday, September 8th on Showtime. (No 'Dexter' next weekend due to the Labor Day weekend!)

FEARnet Movie Review: 'Wither'

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It would of course be a massive understatement to say that Sam Raimi's mid-'80s indie classic horror flick The Evil Dead is a memorable or influential movie. The film inspired a supremely excellent sequel in Evil Dead 2, a widely-adored sorta-sequel in Army of Darkness, and -- in recent months -- has inspired not only a pretty impressive remake (Evil Dead) but also a wonderfully clever homage (The Cabin in the Woods) that has truly struck a chord with the horror film fans.

 
The flip-side to all of that good stuff is that, logically, The Evil Dead has also inspired a whole lot of independent films that are little more than half-hearted remakes, retreads, or outright ripoffs. The new Swedish import called Wither is none of those things; it feels like a legitimate love letter to the original Evil Dead, and that's certainly cool to see. But after a while Wither starts to feel like it's using Sam Raimi's film less like an inspiration and more like a simple crutch.
 
Having said that, and if you're willing to pretend that Wither actually is a Swedish remake of The Evil Dead, there's certainly a lot of low-budget creativity, energy, and effort on display. Putting aside that the plot, setting, characters, and the tone are pretty much Evil Dead all the way, Wither still stands as evidence of filmmakers who want to shock, scare, and gross the hell out of their viewers. If we have to take a big dose of a familiar formula to enjoy a throwback splatter flick from another culture, that seems a small price to pay. In other words, Wither is still pretty fun stuff.
 
You want a plot synopsis? Sure. Five friends go to a cabin and mess with forces they shouldn't mess with. After a very familiar 20-some minutes of set-up, however, co-directors Sonny Laguna and Tommy Wiklund (Blood Runs Cold) throw some demonic insanity at the screen -- and they never let up. By now I've made it clear that Wither will never win any awards for originality, but the co-directors and whoever else edited this legitimately gore-soaked horror flick keep the lunacy coming at an almost ridiculous pace. There are a few slight wrinkles in the plot department (including a recent victim who's there mainly to offer us some gruesome back-story) but where Wither succeeds is in fast pacing, unpredictable shocks, and some wonderfully disgusting practical effects and make-up.
 
The cast is solid enough, even if all they're asked to do is suffer through horrific possessions and buckets of visceral punishment. The co-directors also do a fine job of setting a gloomy tone through shadows and music, which always helps. Had Laguna and Wiklund injected a little (ok, a lot) more originality into the screenplay, Wither might stand out as something especially memorable, but taken as it stands, the movie is still an entertaining little demon story for the horror fans who appreciate enthusiastic geysers of gore.
 

READ FEARnet's PARTNER REVIEWS OF WITHER

Video: The Cast of 'Grimm' Talks Zombies and Mermaids for Season Three

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We caught up with the cast of NBC's Grimm at San Diego Comic Con. David Giuntoli, Russell Hornsby, Silas Weir Mitchell, Sasha Roiz, Bitsie Tulloch, Reggie Lee, and Claire Coffee gave us big clues as to what we can expect in season three. Zombies, mermaids, insect Wesen, another Grimm, more branches from the Renard family tree, and "mind-blowing stunts" are just a few of the goodies you can expect this fall.

Grimm season three begins October 25th.


Eight of the Scariest Movies Ever Marketed to Children

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For many horror fans, our first exposure to the genre was by way of allegedly "kid-friendly" horror fare, which we were able to get our hands on because it was marketed to children... regardless of the fact that it may have contained themes and scenes too frightening for young kids. The MPAA has become more strict regarding family fare in recent years, so today’s youngsters must turn to the kid-friendly horror titles of the ‘80s and ‘90s to get their scare on. The films outlined below undoubtedly resulted in a a lot of sleepless nights for young fans of fright flicks...
 
Something_Wicked
 
Something Wicked This Way Comes
 
This Ray Bradbury adaptation gave an entire generation of children nightmares, and furthers my long-held assertion that carnies are not to be trusted. It was incredibly dark for a Disney production... or a less family-friendly studio, for that matter. Something Wicked  is the tale of a mysterious traveling carnival that sweeps into a sleepy Middle American town, where its proprietor Mr. Dark scares the living hell out of a pair of boys while trying to capture the souls of the townspeople. For me, the peril that the two youngsters confront in this film seemed incredibly real, and Mr. Dark (Jonathan Pryce) was terribly wicked. Jack Clayton, director of The Great Gatsby (1974), brought plenty of spooky atmosphere, and Ray Bradbury effectively adapted the screenplay from his novel of the same name.  
 
Watcher_Woods
 
The Watcher in the Woods
 
Another early '80s Disney production, The Watcher in the Woods chronicles the tribulations a family experiences after moving into a country villa just brimming with supernatural and/or paranormal occurrences. This was a later role for screen icon Bette Davis, but she still brought her signature flair to the role of Mrs. Aylwood. The film terrified me as a youngster; there are séances, ghost-like creatures, and more assorted paranormal activities. It’s surprising to find Disney behind this title, but it gave plenty of children a taste for horror films at a young age, so we see no cause for complaint.
 
Witches
 
The Witches
 
I watched The Witches for the first time on "movie day" in elementary school, and was equal parts thrilled and shocked that we were exposed to such a frightening film. Nicholas Roeg, who helmed the 1973 supernatural classic Don’t Look Now, adapted this terrifying tale from the novel by famed children's author Roald Dahl (Charlie and the Chocolate Factory), so it’s no surprise that it's loaded with spooky atmosphere. Anjelica Houston is perfectly wicked as the Grand High Witch, and the scene where the witches take off their masks is especially jarring. It still amazes me that a movie where witches try to hunt and kill children received a PG rating.
 
Return_Oz
 
Return to Oz
 
Here's another Disney entry, adapted from the L. Frank Baum Oz books. It adopts a much darker tone than the 1939 classic The Wizard of Oz; the scene where the witch Mombi takes off her head was shocking to see in a movie geared towards youngsters. Casting Fairuza Balk as Dorothy was an ingenious move; Balk is brilliant in the film, and has gone on to do a series of dark roles since, including a diabolical turn as wicked teen witch Nancy in 1996's The Craft.  Interestingly enough, this was the only feature from director Walter Murch, which could be due to the film's less-than-favorable reaction from critics. It finally found its audience on home video, and has since gained a cult following.
 
Gate
 
The Gate
 
The Gate finds young Glen and his best friend Terry exploring a hole in Glen’s backyard – the result of a recently removed tree – which they soon realize is a gateway to hell. Among the film's horrific images are the lead character’s parents melting into green goo right before their very eyes, the family dog murdered, demon-like creatures doing demon-like things, the deaths and subsequent resurrections of young children, and a giant scary monster with velociraptor arms. There's even a plot point involving devil worship. I caught this treasure of a film on cable one Saturday morning, and it scared the tar out of me... but that didn’t stop me from enjoying it and re-watching it repeatedly.
 
Monster_Squad
 
The Monster Squad
 
The Monster Squad might not be outright terrifying, but it still pits youngsters against Dracula and other legendary monsters and has some legitimate scares, so it’s certainly a bit much for younger viewers. It's also responsible for one of the most quoted lines in genre cinema: “Wolfman’s got nards!” The film is directed by genre vet Fred Dekker, who also brought us the '80s horror cult classics House and Night of the Creeps, so it’s not surprising that the end result brought audiences a pleasant mixture of scares and chuckles.
 
Georges_Island
 
George’s Island
 
I rented this on VHS at an impressionable age and absolutely fell in love with it; that’s not to say that it didn’t terrify me, however. The ghost pirates were a bit much for an impressionable young lad such as myself, but I quickly got over that. The film showcases the adventures of a couple of boys who break out of a foster home and go treasure hunting. Of course, they encounter unexpected consequences along the way. The disappointing thing about this picture is that it is currently only available on VHS, and still awaits a proper DVD release.
 
Nightmare_Xmas
 
The Nightmare Before Christmas
 
We end on another Disney production, which is a film made for children but appreciated just as much, if not more, by adults. The Nightmare Before Christmas is not exactly a horror movie, but it nevertheless has plenty of horror elements. Making such a dark film that centers around the most wonderful time of the year was a bold move for writer/producer Tim Burton, but we would expect nothing less from him. Jack Skellington and his kin are sure to be frightening to younger children, and when Jack attempts to take on Christmas, things really go off the rails.
 
Honorable mentions go out to Watership Down, Paranorman, and Frankenweenie. 

Book Review: 'Tales of Jack the Ripper' Edited by Ross E. Lockhart

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Jack_Ripper
 
I had a couple of questions about this book, and books on Jack the Ripper in general, when I first sat down with it. One: is it okay to base a piece of entertainment on a real-life serial killer? I realize that it happens all the time in the horror genre – most of our favorite fictional killers are based on the actions of real-life murderers. But giving those characters different names and placing them in different circumstances at least adds a layer between the made-up atrocities and the true ones.
 
There is no such buffer when it comes to Jack the Ripper. Although we don’t who Jack really was, we know he existed, and we know what he did, and who he did it to. We know their names. Editor Ross Lockhart dedicates this book to them. So we know, going in, that we’re about to read a group of stories about a man who took five human lives… that we know of.
 
Is that okay?
 
My other question was: why does this particular killer attract so much attention? Why, more than a hundred years later, are we still fascinated with his story? What about him is enough to spark the imaginations of the twenty authors represented here, and the countless others who have examined the legend in fiction and nonfiction before them?
 
I got my answer to the second question about halfway through the book, in a story titled “Ripperology” by Orrin Grey. In it, Grey writes that Jack still holds power over us because we don’t have a face to put with the name. With other killers, the mystique is gone; with Jack, it is still there. We don’t know if Jack was a man, a woman, one person or more. We don’t know what sparked the killing fire, and we don’t know what quenched it. “Suddenly, the Ripper was no longer just a killer, but had become something that was alive in every heart,” Grey writes. There is no single theory that can explain what happened; therefore, everyone has a theory to share.
 
As for my first question, I had my answer by the time I’d reached the end of the book. I don’t believe it’s okay to be entertained by the wanton murder of five real people – but that’s not what this book is about. It’s not a glorification of Jack the Ripper – it’s an examination, from multiple angles, of the myth that has grown up around his (or hers, or its, or their) actions. Lockhart has not put together the print equivalent of the Friday the 13th film series, in which the murderer becomes the hero. This is not an ode to a killer of women. This is, instead, a look at the power that Jack the Ripper holds over us, even today.
 
There are stories told from the killer’s point-of-view; “A Host of Shadows” by Alan M. Clark and Gary A. Braunbeck, for example, in which the man who was Jack is on his deathbed. He knows what he did but he’s never been sure why, and he’s spent his life trying to “balance the scales” through good works. He’s been so successful at it that his son is driven to desperate acts in order to remove himself from his father’s “saintly” shadow. 
 
There are stories that wrap the Ripper legend in the supernatural, such as Joe R. Lansdale’s classic “God of the Razor,” in which a drop of blood on the right blade drives any man to murder.  
 
There are stories about the Ripper’s bloodline, like Patrick Tumblety’s “Something About Dr. Tumblety.” And there are stories like “Ripping” by Walter Greatshell, a nasty little piece of misdirection that uses the Ripper legend as a launching point and nothing more.
 
What Lockhart has done with this anthology is to show that the Jack the Ripper story has grown far beyond who- or whatever murdered those women all those years ago. It’s become a myth, grounded in fact, and the reason it continues to hold power over us today is because we still don’t understand what happened, or why, and we likely never will. Stories like that are the stories that continue to frighten us, and until we can banish those shadows forever, there will always be writers wrestling with them on the printed page.
 
Tales of Jack the Ripper manages to walk that fine line between entertainment and exploitation with real finesse. It’s a gripping group of stories about one of our most enduring mysteries, and well worth your time.
 
 
Blu Gilliand is a freelance writer of fiction and nonfiction. He covers horror fiction at his blog, October Country, and contributes interviews to the Horror World website. Follow him on Twitter at @BluGilliand. 

'Zombie Fish' Can Reproduce Long After Death

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Guppies
If you've ever had a home aquarium, chances are you've had pet guppies at some point; they're right up there with goldfish as the most commonly found fish at your neighborhood pet store. Hell, you may have just finished feeding Mr. Wiggles before reading this article. But how well do you really know your freshwater friend? Did you know he possesses the power of reproducing after death? Well... parts of him do, anyway.
 
In a study published in the journals of The Royal Society, a team of evolutionary biologists discovered this bizarre trait when studying guppies in Trinidad, trying to determine how the species thrives despite the very short lifespan of the male. As it turns out, the sperm can live on for generations in storage within the body of the female, surviving even ten months after the male has died; that same male's offspring can then be born several generations afterward. The study also found that a single female guppy can stay fertile for up to three generations... which is roughly the equivalent of a woman bearing children in her nineties.
 
According to University of California professor David Reznick, who headed the research team, this trait allows the species to survive by maintaining variety: the more genes left behind by deceased males, the greater variety exists in the gene pool, and the females can carry the future populations with them to new habitats.

Eerie Russian Photos Reveal Ghosts of Long-Dead Summer Camp

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Camp2
 
The urban exploration movement continues to reveal more ghostly abandoned structures from every country and era... for example, bloggers for the site English Russia recently conducted a tour of long-abandoned  summer camps on the bank of Russia's Desna River, and found some pretty unsettling images on their journey.
 
Camp1aCamp 1b
 
The signs, landmarks and artwork reveal that these camps were summer vacation spots for “Little Octobrists,” special groups for kids born in the early Soviet era.
 
Camp4
 
The photos reveal housing, dining halls, auditoriums and playgrounds, all more or less intact, but with an air of ominous mystery.
 
Camp5
 
The creepiest finds include some seriously surreal artwork on the playground.
 
Camp6
 
These were obviously intended to be fun and inspiring, but the passage of time has given them a more menacing look.
 
Camp11aCamp11b
 
Also we're not sure what's up with this weird, tiny cabin on stilts... the purpose of which remains unknown.
 
Camp3
 
You can see the complete gallery at English Russia, with translations of many of the signs. (Thanks to BuzzFeed for spotting this one.)

Zombucks: Official Currency of the Zombie Apocalypse

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Fellow horror fans, we're going to assume you've already picked up a few handy survival skills in the likely event of a zombie uprising (and if not, you can find all kinds of examples within our pages). Aim for the head, stay on the move, trust no one... you know the drill by now. But have you decided what you're going to use for trade once your paper money and debit cards become worthless junk?
 
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The folks at Provident Metals have a possible solution in the form of “Zombucks,” a recently-launched series of copper and silver coins with an undead twist. "Walker," the first in the series, is a riff on the classic “Walking Liberty” coin of the early 20th century. 
 
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The zombified version, bearing the denomination “Z50” (fifty zombie dollars), shows living-dead Liberty with an axe, shambling in front of an ominous mushroom cloud. The flipside features the familiar biohazard logo.
 
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Provident will release ten designs in all, with a new design revealed every three months on their website. (Thanks to Geek Alerts for the heads-up on this item.)
 

With Your Help, Jurassic Park LEGOs May Become a Reality

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Due to the rising popularity of fans creating elaborate characters and environments out of LEGOs, well beyond what is available in the typical sets you find on the market, the LEGO Group partnered up with Japanese company CUUSOO a few years back, and the LEGO CUUSOO project was officially launched in 2011.  What the hell is the LEGO CUUSOO project, you ask? 

The basic idea of the project is that LEGO fans can submit their own designs for LEGO sets, which they upload to the LEGO CUUSOO website.  Once on there, fellow fans of the colorful bricks are able to view and vote on the submissions, with each voter for a specific idea becoming a supporter.  Now here comes the exciting part.  Once any given idea receives 10,000 votes, from 10,000 different supporters, the concept will actually be reviewed by the LEGO Group, who just might turn the fan-made idea into an actual LEGO reality.  How cool is that?!

It was earlier this month that we told you about a Ghostbusters-inspired LEGO set that a fan uploaded to the website, a project which we're happy to report has received 10,000 supporters, and recently moved on to the review stage.  The latest project to grab our attention, and force us to rally our troops in support?  Three words.  Jurassic.  Park.  LEGOs.

Though Jurassic Park was released twenty years ago (sorry to make you feel old!), the film has arguably never been more popular than it is today, on the heels of the recent 3D re-release of the film.  Not only did that release breathe new life into the movie, and make fans of the franchise fall in love with it all over again, but it also brought a whole new generation of fans into the fold, and has pulled in over $65 million globally since April.  That brings Jurassic Park's grand total box office gross to over a billion dollars, making it one of the most successful movies of all time.

On top of that, the long awaited Jurassic Park 4 is set to stomp its way into our lives in 2015, so needless to say there is no better time than the present for the franchise to cross-over into the world of LEGO.  It just seems like a natural fit, and thankfully a talented artist named Sami Mustonen feels the same way...and has done all the hard work for us.

To show off his idea, Mustonen whipped up impressive 3D renderings of the set he'd love to see come to life, a set that includes the iconic gate at the entrance of the titular Jurassic Park, one of the tour cars (with space for four figures), a T-Rex and LEGO characters of Dr. Alan Grant, Dr. Ellie Sattler and Dr. Ian Malcolm.  In other words, everything you need to bring Jurassic Park to life, in your LEGO collection!

Again, with 10,000 supporters this project could very well become a reality, so head over to LEGO CUUSOO to show your support and place your vote.  It only stands a chance of happening if we show LEGO how badly we want it to happen, so let your voice be heard as loud as the roar of a T-Rex!

FEARnet Movie Review: 'Daylight'

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daylightClever indie filmmakers just keep coming up with new (and generally legitimate) excuses to position their horror tale as "found footage." In most cases their film's premise involves a documentary film crew, which helpfully explains all the extra lighting and the "keep filming no matter what" attitude that keeps the action moving forward, but lately there have been new developments in where the "footage" is "found," which means there's a few small splashes of novelty to be found in some otherwise half-decent horror flicks.

 
That brings us to the periodically choppy and slightly overlong American horror movie that feels more like three distinct segments than a cohesive whole -- but that's not to say there's not some cool ideas and novel twists to be found. Daylight is most assuredly a glass-half-full indie chiller, despite a handful of occasionally evident shortcomings, because it's actually got a novel idea, a handful of legitimately creepy moments, and (once is all said and done) an admirable sense of Twilight Zone-style madness that still manages to alleviate the rough spots.
 
Our story is a simple video archive in which three Daylight (Indiana) family services officers delve into what seems like a relatively straightforward case of child abuse -- but interviews with alleged victims, suspects, students, and parents start to tell a bigger story: that perhaps a local priest is doing monumentally awful things. Cover-ups, conspiracies, and odd behavior start cropping up, and then... well, to say much more would rob the filmmakers of their surprises. Suffice to say that first-timers David McCracken, Joel Townsend, and Kaidan Tremain use a creepy old fact-based story before launching into their own style of thrills, chills, and overt weirdness.
 
The idea that a local priest in a small town could be a secretly malevolent force is, of course, nothing new, but Daylight is more interested in the idea of suggestion; that perhaps parents, teachers, and well-intentioned social workers could indirectly plant false memories into the mind of a child -- and how that could end just as bad as actual abuse. If the filmmakers spend a bit too much time on our ostensible heroine (Jennifer Bacon) and her two assistants, then they make up for it with a finale that's weird, surprising, and actually sort of creepy.
 
Daylight is sort of a weird entry into the "found footage" canon, in that it's much more of a procedural than a chase story or a trek deep into the forest. The filmmakers earn points for finding an interesting entry point for their tale of religion-based fear and paranoia, and while I certainly wouldn't spoil anything, the movie offers a second-act switch that's both enjoyably jarring and impressively effective. Daylight still feels about 15 minutes longer than it needs to be, but what works here works pretty darn well.

Japanese TV Show Unleashes a Dinosaur on Unsuspecting Victims

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The following clip, which originated from a bizarre Japanese TV game show, later surfaced on Reddit and apparently caught fire after that. The footage shows office workers returning from a coffee break, only to discover they're about to become lunch for a lurking velociraptor:
 
 
We can't say for sure if the “victims” are actually actors (if so, they turn in some award-winning performances), and even a passing glance reveals the legs of the person operating the dinosaur... but would you be confident enough not to run like hell? 
 
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Anyway, it's still one of the freakiest stunts we've seen in a while... and trust us, we've seen a few.

'American Horror Story: Coven' Adds Yet Another Cast Member

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leslie jordanAmerican Horror Story: Coven has just added yet another member to its already enormous cast: Leslie Jordan.

While best known for his comedic turns in shows like Will & Grace and The Help, Jordan also played in horror flicks like Madhouse and Jason Goes to Hell: The Final Friday. Like all AHS casting, Jordan's role has not been announced, but he tends to play Southern dandies. With AHS set in New Orleans this season, that seems fitting. I am guessing that he will play the husband of Kathy Bates' Madame LaLaurie, a real-life New Orleans socialite who was said to have imprisoned and tortured her slaves in the 1800s.

The complete show summary, according to Hollywood Reporter

American Horror Story: Coven tells the secret history of witches and witchcraft in America. More than 300 years have passed since the turbulent days of the Salem witch trials, and those who managed to escape are now facing extinction. Mysterious attacks have been escalating against their kind, and young girls are being sent away to a special school in New Orleans to learn how to protect themselves. Wrapped up in the turmoil is new arrival, Zoe (Taissa Farmiga), who is harboring a terrifying secret of her own. Alarmed by the recent aggression, Fiona (Jessica Lange), the long-absent Supreme, sweeps back into town, determined to protect the Coven and hell-bent on decimating anyone who gets in her way.

Others in the cast this season include Patti LuPone, Sarah Paulson, Denis O'Hare, Gabourey Sidibe, Emma Roberts, Angela Bassett, Patti Lupone, Lily Rabe, Frances Conroy, Evan Peters, and Alexandra Breckenridge. American Horror Story: Coven premieres on October 9th on FX.

Zombie Octopus Tentacles Live On After Death

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Yesterday we told you about the innocent-looking guppy's ability to reproduce generations after its own death. Now, it turns out even more creatures have joined the ranks of the underwater undead: according to a report in Scientific American, researches have discovered that the tentacles of the octopus not only live on after being separated from its body, but they seem to have minds of their own. Now before you start counting down until Syfy's Octozombie goes into preproduction, here's the facts of the case:
 
Since most of the octopus's central nervous system is not in its brain but in its arms, scientists have learned that each tentacle has the ability to “think” on its own... and that doesn't necessarily stop if that tentacle is detached from the rest of the body (they also tend to grow back, but that's for another article). In an experiment conducted at St. George’s University of London and the Anton Dohrn Zoological Station in Naples, Italy, octopus limbs reacted to stimulus over an hour after they had been removed – recoiling from pressure or heat, for example. It's a reflex action, but not something you'd expect from the limb of a dead body.
 
“We are also likely to jerk our hand away after, say, touching a hot kettle,” explains SA's Katherine Harmon. “But imagine if human arms still did that after death – and after being cut off.”
 
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The team's findings may lead to new precautions in studying octopus, squid and other cephalopod species, as it reveals new insights on the way the animals may experience pain.
 

The Top 10 Must-Own Horror Toys: 'Texas Chainsaw Massacre' Edition!

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The toy rights to the Texas Chainsaw Massacre franchise have changed hands many times over the years, and ol' Leatherface has seen release from most of the major companies that we all love, including NECA, Mezco, Sideshow Collectibles and McFarlane. Of the seven films Leatherface has starred in, four of them have been given the toy treatment by those companies, with most of the focus being placed on his two different looks in his original outing. That said, we've gotten a few fun surprises over the years which offered an exciting break from the norm.
 
Needless to say, given the wealth of different toys to choose from, it was a bit difficult to cut this list down to only ten – a painstaking process I've spent a couple hours deliberating about. Though there are quite frankly more than ten Texas Chainsaw Massacre toys that diehard fans of the franchise should probably own, what you'll find below is what I consider to be the cream of the crop. Just know that I'm only leaving some awesome toys out because I've got no choice. That said, let's rev up those chainsaws and get on with it!
 
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I think it's safe to say that most of these "must-own toys" lists will be kicked off with toys released by McFarlane – the company that gave us the very first high-quality toys of many of our favorite horror icons. This particular list is no exception, and though I feel a bit bad about not including their original 6" version of Leatherface – which for me was the first Leatherface toy I ever owned – I had to nix it in favor of their massive 18" version. Released in 2001, as part of Movie Maniacs Series 4, this biggie-sized Leatherface toy depicted the hulking brute in a vicious ready-to-strike pose, his clothing splattered in blood from a recent kill. Like McFarlane's other 18" Movie Maniacs toys, Leatherface was equipped with motion-activated sound, his trusty chainsaw starting up whenever you walked past him. Depending on whether you want him loose or in his original box, you can typically buy this figure nowadays for anywhere between $50-$100.
 
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In 2004, McFarlane revisited Leatherface on the heels of the TCM remake, and put out another jumbo sized toy in Movie Maniacs Series 7, which turned out to unfortunately be the final series in the beloved line. The figure itself standing at over 12" tall, remake Leatherface came with an impressive base that brought the whole display piece to over 18" high, depicting Leatherface wielding his chainsaw in front of the gnarly pulley system on which he hoists his victims. This figure also came with a severed arm, and in a nice little touch, Leatherface's own right arm was removeable, with a bloody stump underneath that paid homage to the scene at the end of the film where Jessica Biel hacks it off with a cleaver. Definitely my favorite figure from the reboot, this one can be picked up for fairly cheap, both in and out of the packaging.
 
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If there's one recent toy line that I wish had continued longer than it did, it's Mezco's "Screen Grabs," part of their Cinema of Fear brand. The line consisted of only two series, and with it Mezco brought some fun to the horror toy game by bringing iconic movie scenes to life, through the use of small scale dioramas. No doubt one of the most shocking and memorable scenes of all time, this Series 1 release recreated the first kill we ever saw Leatherface make – bludgeoning Kirk with a mallet. I loved the way the Screen Grabs dioramas brought our favorite horror flicks to life, and I again wish Mezco had gone further with the idea than they did.  You can find this one on eBay for around 20 bucks.
 
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I'm kinda-sorta cheating by including two toys in one here, but allow me to explain: released by Mezco, these two 12" deluxe figures were put out at the same time – the one pictured on the left available at all retailers, and the one on the right available exclusively through Mezco's online outlet, Mezco Direct. The former, of course, depicts Leatherface as he's seen throughout most of the original film, while the latter is based on his look during the dinner scene at the end, and I've gotta go ahead and consider these two figures the best we've seen, based on those two looks. NECA put out two similar looking toys in their Cult Classics line, but I'm more of a fan of Mezco's offerings when it comes to these. Both have recently been selling for around $60 apiece.
 
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Sideshow Collectibles also gave some love to Leatherface's dinner outfit with this "Premium Format" statue that stood 19" tall and was limited to just 200 pieces worldwide. No doubt the most expensive and impressive Leatherface collectible ever produced, the figure was cast in high-quality polystone and his outfit reproduced in real fabric. The detail on this thing is absolutely incredible (right down to the cut on his leg), the closest you can get to actually having Leatherface hanging out in your room. As you'd probably expect given the quality and limited nature, these statues can nowadays be purchased for no less than a few hundred bucks... and often much more.
 
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Mezco spiced up the monotonous world of Texas Chainsaw Massacre toys big time with a "Chop-Top" figure in Cinema of Fear Series 1, one of the most requested horror toys of all time. The first and only Chop-Top figure ever made, he came packaged with a slew of different accesories, including an alternate wig-wearing head, alternate hands and even the corpse he parades around in the 1986 sequel, which is actually the corpse of his and Leatherface's brother, the Hitchhiker (aka Nubbins Sawyer) from the original film. Though there's never a ton of them selling on eBay, you'll only have to pay about $20 to snag one.
 
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Cinema of Fear Series 2 saw the release of another toy based on the second film in the franchise – this time allowing us to finally add the Leatherface seen in that movie to our collection. Given how much I loved his look in Part 2, this is one of my personal favorite Leatherface toys ever made, and in fact it's the only real action figure that's been released based on his appearance in the sequel (Mezco did also put out a plush version of Part 2 Leatherface, which almost made it onto this list). This Leatherface came not just with his chainsaw and a cleaver, but also L.G.'s face and even the electric knife he used to cut it off. This figure currently sells for upwards of $50.
 
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The Chainsaw love continued in Series 3 of the Cinema of Fear line, with the addition of the aforementioned "Hitchhiker," the only character from the original franchise other than Leatherface and Chop-Top to get his own action figure.I gotta give serious props to Mezco for making this toy, because I quite frankly never in a million years expected any company ever would. The Hitchhiker came with all the accesories he carries around with him in the movie – including his sack, the razor he cuts Franklin's arm with, and the camera he uses to take his picture. Presumably because not all that many people cared to own a toy of the character, this figure can often be found selling for as low as a few bucks. In other words, we true fans benefit from a lack of mainstream interest!
 
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The most unique Chainsaw collectibles were released by a company called Hawthorne Village, who make those miniature towns you've probably seen in craft stores. In 2004 they launched a line of villages inspired by iconic locations from horror movies, which they dubbed the "Hawthorne Village of Horror Classics." They released a whopping three pieces in honor of Texas Chainsaw Massacre, depicting the three most well known locations from the film: the gas station, Leatherface's house and the Hardesty home. No Chainsaw collection is truly complete without these three awesome display pieces, and the Hardesty House is particularly worthy of note because it actually included a miniature figurine of one of the most irritating characters in horror history, Franklin (seen above, in front of Leatherface's house). All three are pretty rare and sell for at least $100 a piece... if you can even find them.
 
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I may get some hate for bumping off another awesome toy from the original films in favor of this one – based on the prequel to the 2003 remake – but I personally dug that film, even if it was ultimately nothing special or different. Regardless of how you feel about the movie, I don't think anyone will disagree that this box set from NECA is absolutely awesome, a highly gruesome plastic and rubber recreation of Eric's brutal skinning at the hands of a young Leatherface. It's definitely one of the more horrifying toys ever made, and that alone makes it a must-own piece. These typically sell for between $20-$60, depending on whether the set is loose or sealed.
 
Did I leave out any Texas Chainsaw Massacre toys that you feel no fan's collection is complete without? Comment below and let me know!

Book Review: 'Brew' by Bill Braddock

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“Ever been to a big college town on a football Saturday night?” is the tagline for Bill Braddock’s debut, Brew... and what a debut it is.
 
The novel begins on such a night, when the parties spill onto the streets and the game is little more than an excuse to drink and make a memory, until all hell breaks loose. Brew follows a cast that includes a drug dealer and his girlfriend, a veteran recently returned from Afghanistan, an amateur pornographer, and a psychopath chemist named Herbert Weston, who has sabotaged the town’s favorite micro-brew "Cougar Piss" with a drug he calls “Phineas Gage and the Amygdala Hijack Express!” which turns those who drink it into mindless, sex-crazed cannibals.
 
What follows is a non-stop onslaught of graphic horror and action. Braddock’s novel owes more than a small debt to the writing of Richard Laymon (acknowledged subtly throughout the book), but unlike the glut of Laymon’s imitators, Braddock has the chops to pull it off. His characters are strong, and his writing is solid throughout. The gore and gross-out levels are high in Brew, but the story has more to it than that.
 
If you’re a fan of Richard Laymon or Brian Keene, or you like your horror with a high body count and a scene or two (or more) to turn your stomach, then Brew’s for you. It's one of the best debuts I’ve seen in quite some time, and one of the best “extreme horror” novels I’ve ever read. Highly recommended.
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