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It's NEVER Playtime With the Giant Hairy Desert Scorpion

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Last week when we brought you up close and personal with the world's largest spider – the Goliath bird-eater– we were just getting warmed up. After all, what mega-sized arachnid collection would be complete without the largest scorpion in North America?
 
Scorpion1
Today we'd like to introduce you to Hadrurus arizonensis, more commonly known as the “giant hairy desert scorpion.” Hell, just saying those four words together is enough to induce nightmares, but they're pretty descriptive, as you can see.
 
In the US, this little horror can be found throughout the deserts of Southern California and Arizona, and they can grow up to six inches in length. While they tend to prey on other desert-dwelling bugs, their larger size enables then to snack on lizards, rodents and the occasional snake... and when food gets scarce, they sometimes just eat each other. Yup, giant hairy cannibal scorpions. File that image away for your next nightmare.
 
Scorpion2
The venomous sting of this species is non-lethal to humans, but still hurts like hell, and they're one of the most aggressive scorpions on the planet, so you might want to zip that sleeping bag up extra tight next time you go camping out in the desert. Because, like Newt from Aliens famously said: “they mostly come at night... mostly.”
 
Here's a clip showing a little good-natured teasing of a captive Hadrurus by a human who apparently has no fear whatsoever... or a very high pain threshold. Maybe both. Either way, don't even think of trying this yourself.
 

Ten Badass Characters Who Traded Their Limbs for Weapons (NSFW)

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Is it just me or is there something incredibly cool about a movie character who literally has a dangerous weapon as a part of their body, in place of an average ordinary limb or appendage?  Since I can't get inside your brain and hear the answer to that question before I go ahead and talk more on the subject, I'm going to instead assume that you agree with me and proceed with this list, which quite frankly doesn't need much of an introduction.
 
So screw your introduction. Let's jump right in, and talk badass weapon limbs!
 
[Note: at least one of the following limbs is not safe for work viewing... and there are some spoilers ahead as well.]
 
Ash
 
Ash - Evil Dead 2 and Army of Darkness
 
We begin with the man who is quite frankly responsible for making weapon limbs so damn cool: S-Mart's finest employee and demon killer extraordinaire, Mr. Ash Williams (Bruce Campbell). It was in Evil Dead 2 that Ash's hand became possessed by evil forces that are anything but groovy, forcing him to take the extreme measure of removing his own hand with a chainsaw to prevent the demonic invasion from spreading any further. Towards the end of the film, Ash affixes that very same chainsaw to his bloody wrist stump, turning a disability into horror cinema's most effective and utterly badass weapon. Now that, my friends, is groovy. While perhaps the coolest, Ash wasn't the first horror character to use a weapon as a makeshift limb...
 
Cravatte
 
Jason Cravatte  - Chamber of Horrors
 
As far as I'm aware, 1966's Chamber of Horrors was the very first movie to feature a character with a weapon for a limb. Described by many as an inferior House of Wax knockoff, the oddball film stars Patrick O'Neal as Jason Cravatte, a sick and sadistic mofo with a penchant for marrying women... dead women, that is. After a failed execution attempt leaves Cravatte with only one hand, he sets out on a bloody journey for revenge, his missing right hand turned into a veritable Swiss Army knife of terror. Throughout the film, Cravatte affixes everything from a hook to a butcher's knife to his stump, happily inducting those who wronged him into his own personal chamber of horrors.
 
Max_Renn
 
Max Renn - Videodrome
 
James Woods plays TV producer Max Renn in one of David Cronenberg's more out there and beloved films, as a man whose life quickly becomes consumed by a TV signal that assaults his senses with all sorts of horrific snuff film inspired imagery. By the time the final act rolls around, Renn has gone from sleazy producer to stone cold killer, with a vaginal looking wound spread across his belly and a gun organically fused with his right hand. But this is not just any gun, oh no: Renn's hand becomes what fans refer to as "the Cancer Gun", a fleshy weapon that fires cancerous tumors rather than mere bullets. You so crazy, Cronenberg. Oh, and long live the New Flesh.
 
Blade
 
Blade - Puppet Master
 
My favorite of all the pint-sized terrors from the Puppet Master films is Blade, one of only a few puppets that has thus far appeared in every single film in the franchise, leading me to believe he's also the favorite of creator Charles Band. So badass is the Joan Rivers-looking Blade that he essentially becomes the leader of the other puppets, the Nazi soul inside of him serving to make him one evil little bastard. Blade's name is of course derived from the fact that he has a sharp blade in the place of one of his doll hands, a deadly hook taking the place of the other. One puppet that's not to be messed with, that's for damn sure!
 
Chucky
 
Chucky - Child's Play 2
 
A film that wouldn't be out of place in the Underrated Sequels feature I've recently started writing here on FEARnet, Child's Play 2 has one of my favorite final acts in horror sequel history: the last 20 minutes take place at the Good Guys toy factory, as Andy Barclay and his foster sister Kyle find themselves in a fight to the death with the Good Guy gone bad. When Chucky's hand gets stuck under a heavy gate at the factory, he's forced to brutally tear it from the rest of his body, shortly thereafter taking a page out of Blade's playbook and pressing his trusty knife into the wound. Now you really don't want to fuck with the Chuck!
 
Candyman
 
Daniel Robitaille - Candyman
 
Though he'll happily tear your soul apart if you say his name five times into a mirror, Daniel "Candyman" Robitaille was far from a killer before he became an urban legend. The son of a slave, Robitaille was a painter who was tortured and killed by a lynch mob after impregnating a white woman. Before he was smeared with honey and stung to death by bees, Robitaille's painting hand was cut off, replaced with a hook. In death, Robitaille became the vengeful Candyman, his hook hand becoming the ultimate weapon of revenge. Let that be a lesson, lynch mobbers: if you're going to cut someone's hand off, don't replace it with a goddamn sharp weapon!
 
Cherry_Darling
 
Cherry Darling - Planet Terror
 
Leave it to Robert Rodriguez to take the concept of a weapon limb and make it not only completely badass, but for the very first time also quite sexy. In Rodriguez' Grindhouse segment Planet Terror, he went ahead and substituted the super-sexy Rose McGowan's right leg with a massive machine gun, forever cementing the character of Cherry Darling in the annals of ass-kicking female characters. After Cherry's leg is torn off by bloodthirsty mutant zombies, her ex-boyfriend El Wray first sticks a wooden table leg into the wound, allowing Cherry to walk, and then swaps out the table leg for a machine gun, transforming her into a zombie-killing machine. Sexy and dangerous... what's not to love?
 
Machine_Girl
 
Ami - Machine Girl
 
Batshit crazy Japanese filmmaker Noboru Iguchi was no doubt inspired by Planet Terror when he made Machine Girl one year later, outfitting his badass female revenge seeker with a machine gun arm rather than a leg. After her brother is killed by a ninja/yakuza gang, Ami goes after his killers and finds herself quickly overpowered, her left arm hacked clean off her body. Thankfully, Ami not only survives, but soon finds herself in the care of two garage mechanics who support her plight for revenge. Knowing she can't go out there and fight the gang with one arm, they build her a high-powered, multi-barrel machine gun arm, evening the odds... and then some!
 
Fallon_P3dd
 
Deputy Fallon - Piranha 3DD
 
In 2010, Ving Rhames played Deputy Fallon in Alexandre Aja's incredibly fun 3D remake of Piranha, a character who apparently died before the end credits rolled. Always a badass, Rhames was last seen taking the fight to the piranha, slicing a whole shitload of them up with a boat propeller before being torn apart by the neverending assault of their vicious teeth. At least, that's what we thought we saw. In one of the only humorous aspects of the inferior sequel Piranha 3DD, Rhames returns as Deputy Fallon... and to steal the tagline from another killer-fish sequel, this time it's personal. Turns out Fallon's legs were completely chewed off by the piranha, but he survived the attack. In the sequel, Rhames' legs are quite hilariously replaced by two titanium rods... with shotguns affixed to them. Out-badass'ing all the other badasses on this list, Rhames is to my knowledge the only movie character to have two limbs replaced by weapons, rather than just one. Because nobody is ever allowed to be as badass as Ving... and I mean nobody.
 
Merle
 
Merle Dixon - The Walking Dead (Season 3)
 
Season 1 of The Walking Dead left us thinking that Merle Dixon was dead, his hot-headed actions leaving him handcuffed and stranded on a roof, a zombie Happy Meal just waiting to be devoured. In a desperate attempt to escape, Merle cuts his own hand off with a hacksaw, but we and the characters in the show are left to assume that he still became zombie food, despite the brave attempt. That is, until Season 3 rolled around, when we find out that Daryl's brother is still very much alive... and more badass and dangerous than ever. Merle is quite literally The Governor's right-hand man, the stump where his right hand used to be now fitted with a homemade device with a blade on the end of it. Sadly, even with a blade for a hand, Merle doesn't survive the season, turned into a walker and killed off by his own brother in one of the more emotional scenes in the show's history.
 
Tokyo_Gore_Police
 
Penis Cannon - Tokyo Gore Police
 
Finally, though we've already fulfilled the quota for this list, I wouldn't be able to sleep tonight unless I mentioned Tokyo Gore Police, which was directed by Yoshihiro Nishimura, the man who did the makeup effects for the aforementioned Machine Girl. One of the absolute craziest and most ridiculous movies I've ever seen, Tokyo Gore Police features all sorts of creatures that at least somewhat fit in line with the topic of conversation here today, including a girl whose entire lower body is comprised of the jaws of an alligator, and this dude, who has a giant penis-cannon between his legs. Unless we're talking about Andre The Giant, I'm not sure a penis counts as a limb, but again, I just couldn't not include the Penis Cannon... because the Penis Cannon needs to be brought up, whenever one has the chance.
 
Who's your favorite weapon-limbed character?  Leave a comment and let us know!

Book Previews: Looking Ahead at a Fright-Filled Fall

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As we get closer to the swan song of summer 2013, there are a lot of reasons to look ahead to the coming fall season. As I write this it’s near the end of a sweltering Southern August afternoon, and I’m in a house where the A/C has decided to take a couple of days off. That in itself is incentive enough to look forward to cooler days, but obviously you don’t come to FEARnet to read about my temporary woes; you come here because we know what scares you. Here are a few books on the horizon that I have a feeling are going to do just that.
 
Hell_GateHell Gate by Elizabeth Massie (September 2013, Darkfuse)
 
We’ve had one good carnival novel already this year in Stephen King’s Joyland, but that one was more of a coming-of-age type story, whereas Massie looks to be heading straight for the dark and violent heart of the carnival circuit with Hell Gate.
 
Set in 1909 at a Coney Island that’s a little wilder, a little more brazenly dangerous than the more modern incarnations proved to be, Massie’s novel centers around a psychic and a serial killer. Unleashing Massie’s great grasp of mood and atmosphere in such a setting makes it an instant must-read in my book.
 
 
Bones_of_YouThe Bones of You by Gary McMahon (October 2013, Earthling)
 
It’s become an October tradition that each year, in that most magic of months, Earthling Publications releases a new book in their Halloween series. These are books that speak straight to the heart of anyone enamored with crisp fall nights, flickering candlelight in a carved-out pumpkin skull, and that one evening where the realms of the living and the dead overlap. 
 
This year Earthling is releasing The Bones of You by Gary McMahon, a book they describe as a “modern ghost story.” It’s about a man named Adam whose life is on the rocks. Divorced, he takes up residence in a small rental property next to an abandoned house – a house where a woman named Katherine Moffat once did terrible things to people. As it tends to go in books like this, there are echoes of those events in the air, and restless spirits are swarming around Adam and his daughter. It may sound like a familiar premise, but it’s got all of the elements that, if properly put together, can make for quite a chilling read. I can’t wait to find out if it fulfills its promise.
 
SandmanSandman: Overture by Neil Gaiman and J.H. Williams III (Bi-monthly beginning October 2013, DC Comics)
 
His novel The Ocean at the End of the Lane already guaranteed that 2013 would go down as a great year to be a Neil Gaiman fan. The fact that he’ll also be returning to what is arguably his most beloved creation, Sandman comics, takes the year to near-ridiculous levels of awesomeness. This is something the Gaiman faithful have been clamoring to have for years, but the author held back his return until he had the right story to tell.
 
It appears that the “right story” is about the events that led up to his very first Sandman comic, in which the Dream King was exhausted, weakened and captured. What had he been through? All we were told was that he’d been somewhere far, far away. Now we’ll get the rest of the story. 
 
Doctor_SleepDoctor Sleep by Stephen King (September 2013, Scribner)
 
I know – how obvious can I be? But come on, if I wrote this column without mentioning this book, it would all be a lie. It’s not just a new King book, it’s a return to the characters from The Shining, one of his most revered works. I won’t go into details here (the plot is all over the Internet at this point), and I won’t go into the things I’m looking forward to. Instead, I’ll touch on what scares me about this book – the possibility that it will fail.
 
The Shining is a big mountain to scale, and it casts a huge shadow over Doctor Sleep. I doubt King would put it out there – or would have even been able to finish the book – if it wasn’t a story he was deeply invested in while writing it. King rarely lets me down, but the questions are nagging – can he give us a Danny Torrance that feels like a logical extension of the boy he introduced us to all those years ago? Can he recapture the depth, the richness, and the absolute terror of the original? We’ll find out soon enough.
 
 
Blu Gilliand is a freelance writer of fiction and nonfiction. He covers horror fiction at his blog, October Country, and contributes interviews to the Horror World website. Follow him on Twitter at @BluGilliand. 

Video: 'The Walking Dead' Cast Spills On Season 4!

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While the October 13th premiere of 'The Walking Dead' Season 4 might feel like a while off, that hasn't stopped the cast from spilling the beans on what fans can expect when the show resumes this Fall just in time for Halloween. FEARnet caught up with cast members Andrew Lincoln, Norman Reedus, Danai Gurira, David Morrissey, Steven Yeun, Lauren Cohan and many more at this year's San Diego Comic-Con to get the full scoop on what we can most look forward to when Season 4 picks back up. And from the sounds of it, looks like we're in for a treat! Check out our interviews below!

Halloween Horror Nights Announce 'Black Sabbath: 13 3D' Maze

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Earlier this summer we brought you an in-depth review of 13, the long-awaited chartbusting new album from reunited rock gods Black Sabbath... but apparently the sounds and sights the band has served up this year are just the beginning. Universal Studios Hollywood has announced that the haunted attractions at this year's Halloween Horror Nights will feature a new maze based on the album, entitled “Black Sabbath: 13 3D.”
 
Sabbath_13_3D
 
Slated to open on September 20th, the new haunt will take patrons through “horrifying graveyards, disturbing madhouses and bone-chilling battlefields,” featuring "Lucifer and his bride, blood-soaked dead bodies and bubbling pools of 'radioactive water,'” all based on the themes, lyrics and imagery of Sabbath classics like “Luke’s Wall,” “Iron Man,” “Paranoid,” “War Pigs,” “Electric Funeral” and their self-titled anthem, all of which will be blasting at full volume. Sabbath frontman Ozzy Osbourne himself was quite impressed with the early concepts of the maze design, saying “it looks amazing... I can’t wait to walk through it on opening night.”
 
Find out more about “Black Sabbath: 13 3D” and other new attractions at this year's Halloween Horror Nights, including “The Walking Dead: No Safe Haven,” “Evil Dead: Book of the Dead” and more at their official site and Facebook page.
 
But before you go, check out the teaser clip below!
 

TV Recap: 'Teen Wolf' Episode 310 - 'The Overlooked'

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teen wolfTeen Wolf Episode 310
“The Overlooked”
Written By: Jeff Davis
Directed By: Russell Mulcahy
Original Airdate: 5 August 2013

In This Episode...

Jennifer rushes to Derek’s loft and begs him to listen to her story before the kids get there. Too late: Scott and Stiles are already there and have told Derek everything. Derek is willing to listen to Jennifer, but her lies are thin. Scott proves his version of the Jennifer story by dousing her with mistletoe and revealing her hideous monster face. Derek naturally tries to kill her, but Jennifer convinces him that he needs her in order to find Stiles’ dad and save Cora.

A massive storm is threatening Beacon Hills, and Melissa is aiding in an evacuation of the hospital. Convenient. Derek, Jennifer, Scott, and Stiles take two cars to the hospital (not very green) which has mostly been evacuated. Cora is still there, of course, with Peter sitting at her bedside. By the time the guys get to Cora’s room, it is empty, and Peter is thrown across the hall by the twin-powered werewolf. Scott and Derek take them on while Peter and Stiles collect Cora. Jennifer escapes, but soon comes face-to-face with Kali and Deucalion and realizes she is better off with Derek’s group. She escapes narrowly and find the guys barricaded inside an operating room. The twins were just after Jennifer. When she escaped, they separated and left the guys alone. Jennifer promises to heal Cora, but not until she is safely out of the hospital and, presumably, out of town. Melissa comes on over the loudspeaker, announcing in a frightened voice that if they deliver Jennifer to the ER reception, everyone can leave safely. Deucalion has her. Jennifer promises that he won’t hurt Melissa, and Scott knows this to be true. She fills in Derek and Peter: Deucalion wants to create the pack of perfect, rare werewolves, and this includes Scott. It’s kind of like collecting Pokemon.

Scott and Peter stay behind to fend off the twins while the others make it down to the ambulance bay. The driver is dead, and Kali is there. Stiles and Cora hide in the ambulance while Derek and Jennifer go back inside to the elevator. Deucalion has Melissa on the roof, and they shut off the power, trapping Derek and Jennifer in the elevator. She convinces him it is best to stay put rather than risk calling attention to their location. Deucalion lets Melissa go find Scott, as a sign of “good will.”

Scott and Peter don’t stand a chance against the twins, especially with Peter’s strength at a low point. They escape the twins and Scott hides Peter in the ambulance with Stiles and Cora. He goes back in for the rest of them, coming across his mom and Chris, Alison, and Isaac in the process. While this foursome create a plan, Jennifer is trying to tell Derek who she really is. Her real name is Julia and she was Kali’s emissary. Deucalion, in creating his alpha pack, forced Kali to kill her. Kali couldn’t bring herself to land the final blow, and thought it would be “more respectful” to let Julia die on her own. Julia instead crawls to the nearby nemeton, which had been granted a teeny tiny bit of power when Derek killed Paige there. It isn’t much, but it is enough to let Julia / Jennifer survive until she can be found - by deputy Stilinski.

The plan goes into action. Alison pretends to be Jennifer and lures the twins and Kali outside, where she and Chris open fire on them. They are distracted long enough for Isaac to drive to the ambulance bay and pick up Cora, Peter and Stiles. Isaac won’t leave without Scott, but with the twins coming after them, he has no other option. Stiles runs back in for Scott, who is facing off with Deucalion. Melissa is nowhere to be found and it quickly becomes clear: Deucalion has her, and will only release her and Stiles’ dad if Scott joins him and helps him get Jennifer. Stiles begs him not to, but Scott goes with Deucalion.

Melissa is tied up with Stilinski in a root cellar, the very one beneath the nemeton. They are two of the three needed for the final sacrifice: guardians.

Dig It or Bury It?

That was an hour of awesomeness. This felt like it would have been a great mid-season break. But it’s not - we still have at least two episodes before hiatus. This was one of those great Teen Wolf episodes where they don’t try to do anything “fancy” - there is no time displacement, no flashbacks (well, essentially no flashbacks) and nothing experimental. It was classic, old-fashioned, linear storytelling - and it works brilliantly. Teen Wolf especially shines when an episode is limited to one location, and one small, finite block of time. This episode just had it all: action, violence, backstory, intrigue. All it was missing was Lydia.

Best. Moment. Ever.

At the top of the episode, while Melissa is aiding with the evacuation of the hospital, she says, “Hill Valley is under a flood watch.” If you do not understand the reference, go watch Back to the Future immediately.

Prophecies?

Cora is dying. Derek can save her - but it will mean he will no longer be an alpha.

Amazing 'Silence of the Lambs' Skin Suit Cake

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From the people who brought you a full-sized Dexter cake comes Buffalo Bill's skin suit - in cake form.

British pastry artist Annabel de Vetten created this cake for the Birmingham Shock and Gore festival. (I don't know what that is, but it sounds awesome.) It is modeled after the skin suit Buffalo Bill creates from the skins of his victims, and it looks impressively realistic - and disturbingly delicious. The cake is vanilla, with dark chocolate ganache and black cherry filling.

Source: Miss Cake Head

Exclusive: A 'Beary Scary' Interview with iwrestledabearonce

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IWABO_2013
With a suitably surreal name (taken from a quote by Gary Busey!) and an equally unpredictable approach to music, avant-garde metallers iwrestledabearonce combined their famously twisted sense of humor with their love of old-school slasher movies last year for the feature film A Beary Scary Movie, which features a supernatural killer named “Shreddy” armed with a razor-sharp guitar, which he uses to decimate the band's fans.
 
Beary_Scary
 
But that's not the only time the band pulled a shock out of their pockets: in 2011, they tricked fans into believing they were recording a Norwegian-style black metal album, and they stunned audiences last year when lead vocalist Krysta Cameron, who suddenly left the band after becoming pregnant, was almost immediately replaced by Courtney LaPlante, after which the band completed the 2010 Warped Tour without missing a stop. LaPlante is now a permanent member of IWABO, and contributes as songwriter on the band's new studio album Late for Nothing, which hits stores today. Here's the album's first single, the excellent “Thunder Chunky”:
 
 
We got to chat with IWABO's Mike “Rickshaw” Martin about the new release, the band's love of horror flicks, and their bizarre creative sense.
 
IWABO_live
FEARnet: You've been playing some of the new songs on tour this summer... how's material going over with the fans?
 
MIKE: The new stuff seems to be going over quite well: we hear people scream "Thunder Chunky!" Before we even play it. Courtney is really stoked to be playing her own songs now.
 
The new material seems to have a more cinematic feeling, and is less experimental in style. What inspired you to take your sound in that direction?
 
Well, when IWABO is writing, we really don't set a tone for an album; we just start writing. I think the only thing that's really changed with us is the fact that we're old, and like a more traditional song structure. But other than that, we do what we want and keep it weird.
 
What led to Steve Vai's involvement on the track “Carnage Asada?”
 
We're actually pretty good friends with Steve's son Julian. He's a fan, and we've always just hung out and partied with him... so he kinda just made it happen.
 
 
Let's backtrack a bit and talk about A Beary Scary Movie. How did that project come to light?
 
A Beary Scary Movie started as a music video idea. John [Ganey, IWABO guiarist] is a huge Nightmare on Elm Street fan, and he kinda mentioned doing a spoof video, so our buddies at KOTK productions took that idea and started working. A bit later, they kinda said their idea was more of a full, scripted movie. To be honest, I think Century Media had just expected a video. But they put some money into it anyway, and it turned into a movie.
 
You've done some really creative videos in the past as well.
 
We actually have a new one coming out this week, and just like our other videos it's pretty wacky... this time around, it's a little more simple, but I think everyone will enjoy it.
 
Did the band come up with the story idea for Beary Scary?
 
Justin Beasley of KOTK productions wrote the story, and left a lot of the dialogue open for us to just play around with. When we started filming, we just made up a lot of the weird jokes that we think are funny.
 
How did Jake Busey and Slipknot's Shawn Crahan get involved?
 
We actually met Shawn through a photo shoot, and had some beers with him and hit it off. He loved the idea of being in our movie. We're actually pretty good friends with Jake Busey's sister Alectra, so that's how we got Jake on the project.
 
In addition to A Nightmare on Elm Street, what other horror movies inspired you?
 
IWABO as a band is huge into the old-school horror world. Every time we even hear of a scary movie that looks good, we head to a theater, or to Netflix, or whatever. 
 
What films are your favorites?
 
The Shining, Child's Play, the Friday the 13th movies, Puppetmaster... lots of those movies just scared the shit out of me as a kid. I'm not going to lie, I'm still afraid of ghosts.
 
What's the scariest movie you've seen lately?
 
I actually just saw The Conjuring.
 
What did you think?
 
I thought it was awesome... and I'm glad I don't live alone! I'm also glad the van isn't haunted!
 
IWABO_Late
 
A Beary Scary Movie is available on DVD (including a deluxe edition) and Late for Nothing released today. You can find them both at Century Media's online store CMDistro.com.

Exclusive Video: Chris Carter Reflects on 'The X-Files'

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This year will mark the 20th anniversary of the premiere of The X-Files. One of the seminal sci-fi / horror shows on television, The X-Files aired for nine seasons on Fox - I know that it was one of the the most influential television shows of my childhood. Twenty years later, and an X-Files reunion panel featuring series creator Chris Carter and stars Gillian Anderson and David Duchovny still packs Ballroom 20 at San Diego Comic Con.

I was not able to attend the panel this year, but I did get to sit down with Carter before the panel. In this exclusive video, we chat about The X-Files' legacy, what an anomaly it was at the time, and how David Duchovny almost wasn't in the show. 

Take a Bite Out of This Bloody Lollipop Recipe

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Vampire Blood lollipop recipeYet another sucker for Sookie to love …

Definitely not for kiddies, these Vampire Blood Lollis are inspired by all things gore-filled and delicious. The simple recipe is perfect for your next True Blood watching party, or any old time you're looking for a killer treat. It comes from the TissuePapers blog where FEARnet also found Freddy Krueger’s favorite dessert.
 
The lollipops appear to have just a drop of blood coagulated inside. But as any of our friends from Bon Temps will tell you, one drop is all you need. Try not to get hooked.

Recipe below.

Makes about 12 lollipops 

2 cups sugar
2/3 cup light corn syrup
red food coloring
white lollipops stick - you can find them at your local craft store.
You can even add flavor oils like peppermint or strawberry if you like.


Vampire Lollipop recipeStep 1

Bring sugar, corn syrup, and 1/4 cup water to a boil in a small saucepan, stirring until all the sugar is dissolved completely. If you have a candy thermometer it will register 300 degrees to 310 degrees (hard-crack stage), 5 to 7 minutes.

While the sugar is boiling lay out your lollipop sticks onto a silicon baking mat ( I put my baking mat onto a cookie sheet to make it easier to move around and a nice hard level surface).

Step 2

Once you have placed your lollipop sticks down - Fill a larger pot with ice water. When your sugar mixture is ready - 300 degrees to 310 degrees, immediately set the pan into ice-water bath to stop the cooking (syrup will steam vigorously - be careful of the steam); let sit about 25 seconds. Swirl pan 1 minutes more to cool - it while still be bubbling, that's OK.

final vampire lollipopsStep 3

Working very quickly, pour syrup onto the silicon baking sheets, forming circles (2 to 31/2 inches in diameter) and spacing pours about 3 inches apart - then press in lollipop sticks. I went very randomly - wherever there was space I made a lollipop.


The fun part:
With the red food coloring - squirt a few drops in to each lollipop (I would do one at a time to make it easier to work with), using one of the lollipop sticks drags the stick through some of the food coloring to get the desired look for the "blood". I add a few more drops to the blood coagulated look.
 
Let stand for about 5 - 10 minutes for the sugar to harden completely.

Young Boy Finds Mysterious Egyptian Mummy in Grandmother's Attic

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Mummy4
 
All Photos: Spiegel.de
 
A bizarre mystery arose this week when ten-year-old Alexander Kettler, while exploring the dark and dusty corners of his grandmother's attic in the German town of Diepholz, stumbled upon three mysterious boxes which had apparently been stored there for many decades. When Alex's family pried open up the boxes, they discovered what appeared to be an Egyptian burial sarcophagus... complete with a mummy inside.
 
Mummy6
 
According to German news agency Spiegel, the other two boxes contained an elaborate burial mask and a Canopic jar containing the mummy's preserved internal organs. How the boxes got up there is still a mystery. 
 
Mummy3
 
Apparently the boy's grandfather had gone exploring in North Africa during the 1950s, but had not told his family much of what went on there. “I do seem to remember him mentioning having been to the city of Derna in Libya,” his son Lutz Wolfgang Kettler, a local dentist, told Spiegel.
 
Mummy1Mummy2
 
One theory is that the grandfather had been caught up in the “Egyptomania” trend of the early 20th century, when people would often host parties to open burial artifacts from ancient Egyptian tombs. It's possible he planned on throwing one of those parties himself.
 
The family is now taking the sarcophagus to Berlin to have it x-rayed by an archaeologist, so they can determine its authenticity. "You just don't get the feeling that's something you could buy at a shop around the corner," Kettler said.

First American Horror Story: Coven Teaser Trailer

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It has begun. The first of what I can only assume will be many micro-teasers for American Horror Story: Coven. In this one, titled "Detention," dozens of young women appear to be hanging on the walls like picture frames. Perhaps it is an allusion to Jessica lange's witch Fiona who is collecting young women for her coven?

American Horror Story: Coven premieres Oct 9th on FX.

Short Story Review: 'Rust with Wings' by Steven Gould

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Steven Gould is the author of many short stories and novels, including Jumper, which was turned into a movie (a fun flick worth seeing if you haven't already). His story in the Ellen Datlow/Terri Windling anthology After is a heartwarming (pun intended) story of family survival.
 
Rust_After
 
It starts off with the main character, Jeremy, watching what – at first – seems to be normal beetle-like bugs crawling across a soda can. But they are not ordinary bugs; they are metal-eating insects, devouring any and all metal they can find.
 
Jeremy and his family – father, mother and sister – set out on leaving their home, going to a safe-zone in order to avoid the creatures. But they miscalculate and find themselves (and their car) deep within a swarm.
 
Since the creatures are only interested in metal, it would seem that humans are safe. Unless they have fillings or, say, a pacemaker... which the father has. And these determined little “buggers” will eat through anything to get to the metal underneath.
 
After the car breaks down, what follows is an interesting tale of ingenuity, courage and patience. Lots of patience.
 
While all of the tales in After deal with life after an apocalypse of some sort, this one stood out because of the way the normal characters dealt with an extraordinary situation. They're a family like any other, with their quirks and flaws, but they maintain a balance that carries the story through. Definitely a good read, and great addition to the anthology.
 
 
Nancy O. Greene started writing at the age of nine. Her short story collection, Portraits in the Dark, received a brief mention in The Year's Best Fantasy and Horror 2007. Other works have appeared or will appear in ChiZine; Lovecraft eZine; Cemetery Dance; Tales of Blood and Roses; Haunted: 11 Tales of Ghostly Horror; Shroud Publishing's The Terror at Miskatonic Falls; Dark Recesses; Flames Rising; Smile, Hon, You're in Baltimore! and others. She has a BA in Cinema (Critical Studies) and a minor in English (Creative Writing) from the University of Southern California, and is a Fellow of Film Independent's Project:Involve.

Don't Be Fooled by the Smiling Face of This Deadly Parasite

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If the leering clown face of this microscopic image creeps you out, your instincts are correct: it's a deadly parasitic amoeba called Naegleria fowleri, and it's capable of devouring your brain from within.
 
Amoeba
While cases of parasitic meningitis caused by this tiny creature are fairly rare (four to five cases reported annually since 1962), one such occurrence has recently been reported by the Arkansas Department of Health. Apparently a 12-year-old girl was swimming in the Willow Springs Water Park in Little Rock when the parasite entered her brain.
 
National Geographic investigated the case further, consulting the Centers for Disease Control and Prevention. Epidemiologist Jonathan Yoder told them that the Naegleria normally feeds only on freshwater-dwelling bacteria, but in some cases it can develop appendages called “flagella” which enable it to swim more easily up a person's nose and into their brain. The resulting infection is usually fatal within a matter of days.
 
CDC_diagram
Now before you run screaming from the swimming pool, Yoder points out that this amoeba normally cannot survive in filtered or chlorine-treated water. If you do choose to swim in freshwater lakes, ponds or streams, the CDC recommends keep your head above the surface or use nose clips to keep water from entering your nose, as well as avoiding stirring up sediment at the bottom of shallow freshwater areas. They have more safety information at their official site.

2 Clips from 'Dexter' 807 "Dress Code"

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Holy smokes! Things are starting to get really interesting on the 8th and final season of 'Dexter'. First and foremost, Hannah McKay (Yvonne Strahovski) is back! We saw her in the closing moments of episode 806 "A Dark Reflection," but now that she's resurfaced in Dexter's life, what exactly does she want? Also, Dexter (Michael C. Hall) has decided to take on a protegee and teach him Harry's "code." Is the impatient Zach Hamilton (Sam Underwood) ready though? Check out these 2 clips from episode 807 "Dress Code" to give you a hint at all of the above. And you can catch up by reading Alyse's TV recap of 'Dexter' 806.


Casting Updates for 'Supernatural,''Bates Motel'

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Supernatural has a new angel, which is good since Castiel seems to be human now. Tahmoh Penikett will have a recurring role in the upcoming ninth episode. He plays Ezekiel, a "dignified warrior angel injured in the Fall." Ezekiel starts his run on the series with the season premiere, currently slated for October 8th on the CW. Penikett's credits include a wide range of genre projects: Dollhouse, Battlestar Galactica, Trick 'r Treat, and Continuum, to name a few. 

Over on A&E, Bates Motel has added a new recurring role for their upcoming second season (due in the beginning of 2014). Paloma Kwiatkowski will play Cody Brennan, "a small town party girl who befriends Norman and bonds with him, showing him how having fun and 'acting out' can sublimate pain – at least for awhile." With last season's love interest Bradley moving on to Norman's brother Dylan, and with Norman flat-out rejecting Emma's advances, he needs a new girl to ruffle Mother's feathers. A newcomer to the industry, Kwiatkowski can be seen in the upcoming Percy Jackson: Sea of Monsters.

Source: Deadline, Hollywood Reporter

Chimaira: 'Crown of Phantoms'– CD Review

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Chimaira_promo
 
Cleveland, Ohio-based metal unit Chimaira has somehow soldiered on through non-stop personnel and label changes along their career timeline, with only frontman/co-founder Mark Hunter still remaining from the band's original lineup by the time their sixth album The Age of Hell dropped in 2011. While each new major incarnation has shed them quite a few fans (and occasionally gained others), constant upheaval has been the norm for this band over the past decade or so – and somehow, through it all, they've managed to seize upon a fairly consistent, recognizable groove. That core of deep, stacked, beat-locked riffs with electronic embellishments first got my attention through the track “Army of Me” on the Freddy vs. Jason companion CD (although the song wasn't in the film itself), which in turn led me to their 2003 album The Impossibility of Reason. They've essentially held true to that sound ever since, though their riffs and themes have become even darker, perhaps mirroring the recent turmoil going on within the band.
 
Chimaira_Crown
 
The band's new album Crown of Phantoms is the first to feature a completely reworked lineup – which includes members of groove/death metal unit Dååth (lead guitarist Emile Werstler, bassist Jeremy Creamer and keyboardist Sean Zatorsky), Dirge Within rhythm guitarist Matt Szlachta, and drummer Austin D’amond from Bleed the Sky. This infusion of new talent brings a fresh dynamic that draws a bit more on metalcore basics, although those had already started to surface in their self-titled 2005 album and never really went away. But in Chimaira's world (especially over the past few records), the groove is still king, and the union of riffs and drums is especially solid this time around. There's also a wider range of styles on display, with more shifts in tempo and texture, and a richer, denser-sounding production, which comes through strongest in tracks like "Kings of the Shadow World," and there's a stronger melodic thread in the opening cut "The Machine." Rest assured, there's still a lot of classic Chimaira elements to be found here: the album's initial single "All That's Left Is Blood" helped to set the aggressive tone, with Hunter bringing all the rage I've come to expect from his performance, and the companion video holds true to the song's theme – literally drenching the band in the red stuff.
 
 
While Hunter's lyrics and vocals are furious and intense as ever, Crown of Phantoms also boasts some breakout performances – particularly from D’amond, who lays down some of the band's tightest grooves I've heard in years, keeping the other instruments in perfect lock-step while adding some new textures and a little flash here and there. Werstler also brings some bold new colors to the palette with some impressive leads and intense solos, putting his own creative stamp on the sound while never grandstanding or detracting from the momentum. The old-school Chimaira sound continues to come through with the industrial weight of "Wrapped in Violence," and the rage factor reaches its peak with the appropriately-titled "I Despise" and "No Mercy," the latter of which became the second Phantoms music video.
 
 
While many long-time fans consider Chimaira's current incarnation too far removed from the band's legacy, I tried to ignore all that and bring no preconceived notions to my first listen... and I was ultimately impressed with the results. Crown of Phantoms doesn't come across as an attempt to clone the band's earlier successes, or even to re-invent the wheel as far as the band's signature sound is concerned. Instead, it stands up perfectly well as a complete project, and in many ways surpasses a lot of their more recent work in emotional intensity, production value and songwriting quality. Whether or not it represents the “real” Chimaira is irrelevant – this lineup has proven its worth as a rhythmic metal powerhouse.

'Insidious 2' At Comic Con 2013

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At San Diego Comic Con this year, the folks behind Insidious Chapter 2 threw a massive party for fans. The entire three-story building was decked out like various rooms and sets from Insidious Chapter 2. Many of the screen-used props were there, as well as special effects and surprises for partygoers to discover. What better place to speak to producer Jason Blum, actor Angus Sampson, and writer/actor Leigh Whannell about the film?

Insidious Chapter 2 hits theaters September 13th.



 

1980s-Style 'The Thing' Toys Too Good to Be True

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This is not a real toy. I repeat - this is not a real toy. Nor is this a real commercial. But it is damn close to the toy commercials - and toys - of the 1980s. "From John Carpenter's The Thing, the ultimate in alien terror is in the palm of your hand." Some intrepid toy nerd (and I mean that in the most complimentary way possible) created this mock commercial for non-existant The Thing toys. I'd buy them. I would have bought them as a kid, too. The whole gang is here: MacReady, Windows, Palmer... even the dog. With a thing creature (including pop-out pieces that could attack the other action figures) and "real alien ooze," these toys would give you hours of sub-zero alien fun.

If only  they were real.

 

 

Nightmare Presents: 'How Far to Englishman’s Bay' by Matthew Cheney

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FEARnet is proud to present brand new fiction fromNightmare Magazine. Once a month, we'll be featuring a story from Nightmare’s current issue. This month's selection is “How Far to Englishman’s Bay” by Matthew Cheney. Please tell us what you think and enjoy!

 

How Far to Englishman’s Bay

by Matthew Cheney

 

Max had made the decision that April morning to close up the bookshop and go away for once and for all, but he hadn’t told anyone yet, and he needed somebody to take the cat, so it was a good thing Jeffrey showed up an hour before closing.

“I think Carmilla wants to go home with you,” Max said, watching Jeffrey roam, as always, through the military books. Jeffrey didn’t reply. He took a tattered Shooter’s Bible off the top shelf and held it up.

“Do you really think this is worth ten bucks?”

“Yes,” Max said. “But you can have it for free. And the cat.”

“The cat?”

“Carmilla.”

“For free?”

“Book and cat. Hell, take anything else you want, too.”

“Are you feeling okay?”

“Just fine.”

“I hate cats.”

“It would do you good to have something to care for, something to be responsible for. And she needs a home.”

“But she lives here.”

“Well . . .” Max sighed. If he had to tell somebody, it might as well be crazy old Jeffrey. They’d known each other since high school—thirty-five years now. Off and on, of course, as their lives took them in different directions, until they both ended up back here in the center of New Hampshire, the middle of nowhere, back where it all began. In school, Jeffrey had been an avowed socialist, class valedictorian, and a pretty good football player, but a knee injury his first year at Duke had ended everything. He left school and wandered through the Midwest for a while, doing occasional work so he’d have enough money for pot, and then somehow or other he ended up back in New Hampshire, landing a job at a machine shop in Rochester, a job he still had. He’d stopped smoking pot a long time ago, and for twenty years now he’d spent every spare cent he had on guns, ammunition, knives, and body armor. Once Max opened the bookstore, he kept his eyes out for books Jeffrey might like, just to make sure he’d come by now and then, just to make sure he’d have someone to talk to.

“I’m going away,” Max said.

“A vacation?” Jeffrey strolled an index finger across some bindings.

“No. Permanent.”

Now Jeffrey was listening.

Max said, “I need somebody to take the cat. I can’t take her with me.”

“What do you mean permanent?”

“Today’s my birthday,” Max said.

“Happy birthday. But—”

“I’m fifty years old.”

“No.”

“I am.”

“No, I mean, you can’t. Happy fucking birthday, buddy, but you’re not going to do it.”

“I am,” Max said. “I don’t honestly feel like I have any choice. It’s hard to explain. I feel awful leaving you behind, though. I do.”

“No.”

“Please take the cat.”

Jeffrey threw the Shooter’s Bible to the ground and ran out the front door.

***

Max’s apartment sat above the bookstore, a rambling series of small rooms that had been built sometime around the end of the nineteenth century. He’d bought the whole building with the inheritance he got after his parents died on Christmas Eve twenty-two years ago, when a drunk drove a pickup truck straight into their little Volkswagen Golf on their way home from church.

“They’re in a better place now,” the priest told Max at the funeral.

Max somehow resisted the overwhelming urge to punch the sanctimonious ass in the face. He clenched his fists, but didn’t raise them; instead, he replied, “They’re not anywhere. They’re dead,” then turned and walked into the cold night and never set foot in a church again.

When he first bought the building, he’d been excited to work on it, to repair the fixtures and paint the walls and design the bookstore, which he named The Dusty Cover because he thought any used bookstore worth visiting ought not to set people’s expectations of cleanliness too high. He took great care with the few rare and valuable books that came through, but they didn’t interest him as much as the ordinary volumes did, the stray paperbacks and battered Book Club Edition hardcovers—the books that had truly been used. Loved, even. Within a few years, the store and his apartment both had a sagging, lived-in feel to them, and he had never quite finished painting or retrofitting very much of it. Now the ceilings were cracked and in some places crumbling; the walls looked like a coffee stain; the floors were scratched and soiled; and the air itself seemed to hail from another era. It was all he could have hoped for: a temple of entropy, a bell jar, a tomb.

The fluorescent light in the kitchen ceiling had long ago lost its globe. When he turned it on, the light buzzed and flickered. Max opened the refrigerator: a bottle of ketchup, a jar of Dijon mustard, two different bottles of salad dressing, a few slices of turkey, a gallon of milk, a lemon. He closed the fridge door and opened a cupboard: a box of Ritz crackers, a bag of chocolate chip cookies, a granola bar. He put them all on the counter, found a plastic bag from a stash under the sink, and packed the crackers, cookies, and granola bar into the bag. A few cans of Coke sat on top of the refrigerator, and he grabbed those, too. He liked Coke warm. It hurt his teeth less.

Much as he wanted to leave right away, he hated driving at night, so it would be best to wait till morning. In the square little living room, he turned on the TV and sat on the couch. The cushions were thin and desperately needed to be reupholstered, or—better yet—sent to the dump. The couch had been in the house he grew up in. It was one of the few things he’d salvaged from there. It had been a good, solid piece of furniture. He’d gotten a cover for it at Wal-Mart a couple years ago because he finally couldn’t stand to look at its pattern of brown and yellow lines. It was better with the drab gray cover.

On the TV, the President was giving a speech. Max turned it off. From the battered coffee table, he picked up an issue of The New Yorker. His subscription had run out months ago, but he was so far behind in reading them that it didn’t matter.

The phone rang. He walked to the kitchen and looked at the caller ID.

He answered: “Hello, Jeffrey.”

“You can’t go. I won’t let you.”

“You’ll be fine,” Max said. “I’ll leave the front door of the shop open. Do whatever you want with the place. There’s a little bit of money in the cash register. And please look after the cat. I really can’t take her with me.”

“This is the stupidest fucking thing you’ve ever done.”

“That may be true. But I’m still going.”

“Bring me with you.”

“I can’t do that.”

“What’ve I got here?”

“You’ve got your job. You’ve got . . . your guns. What about all the things you’ve wanted to do?”

“But I don’t. I don’t want anything. I just want it all to stay the same.”

“No, I don’t believe that.” Max hesitated, but then said what he’d long been thinking: “You want somebody to break into your apartment and you want to shoot them. This is what you dream about, isn’t it? Or maybe that’s not what you dream about—”

“It’s not—you fuck—I don’t dream about—”

“Maybe what you dream about is being somewhere in public and somebody, some criminal, starts threatening people, and you whip out that pistol you always have on your belt, and you blow them away and save everybody’s life. That’s what you dream about, don’t you? Being big and strong, saving the day? The hero of violence and power?”

“Fuck you.”

“No shame in it,” Max said. “We all want to be a hero. Somehow.”

“Fuck you. Fuck you. Fuck you!”

“Good night, Jeffrey.” Max hung up. He picked up The New Yorker, but none of the words made any sense, so he tossed it back on the coffee table. He stared at the TV and thought about turning it on. No point in that.

He got up and opened the door to a walk-in closet where he kept boxes of LPs. He flipped through a bunch he didn’t care much about, albums that had seemed interesting when he was young but which he hadn’t listened to for ages and would never listen to again. (Had he really once spent money on an Air Supply record?) A few guitar chords had been haunting him all day, and he’d only just remembered what they were from. There it was—one of the first albums he ever bought: Pink Floyd’s Animals. He hadn’t listened to it for a long time, but he’d played it so many times in the last years of high school and beginning of college that it was permanently seared in his memory. He’d bought it because he liked the cover, the picture of a pig floating between smokestacks. When he first listened to it, he didn’t know what to make of it. The sounds were like nothing he’d heard before, and his ears didn’t know how to shape sense from them, but he knew there was something there, and as he kept listening it drew him back and back until certain strains wrapped around the world, and late at night, alone in his room, headphones on, he would fall asleep thinking he was somewhere, anywhere other than in his bed in his parents’ house in the middle of nowhere.

He put the record on the turntable, then lay down on the couch. He closed his eyes. The cat startled him when she jumped up on his chest. He hadn’t heard her come upstairs. He should probably feed her. Later.

***

Carmilla’s whining yowls pierced his sleep. For the first time in months, he didn’t remember a dream of ocean waves falling against a rocky shore. He didn’t remember dreaming of anything.

Max’s back, shoulders, and neck ached from spending the night on the couch. “I can’t feed you or you’ll puke in the car,” he said to the cat as he walked to the bathroom.

Later, after a shower and a change of clothes, he let Carmilla lap the milk left in the bowl from his Cheerios. While she was distracted, he grabbed the cat carrier from the storage room at the far end of the apartment. He closed the door in the living room so she wouldn’t be able to run off and disappear, scooped her up, and dropped her down into the plastic box. She moaned deeply as he carried her downstairs and out to his car, a ten-year-old Subaru parked in the narrow driveway next to the building. She yowled during the entire three-mile drive to Jeffrey’s apartment.

As he carried the cat up the front steps, Max noticed the police officer standing in the entranceway.

“Do you live here, sir?” the police officer asked when Max stepped inside.

“I’m bringing a cat to a friend who lives here. Why?”

“The building’s closed except to residents right now.”

“What happened? I need to bring the cat in.”

“Who are you visiting, sir?”

“Why? What’s happened?”

“Which apartment did you want to go to?”

“Apartment four. Jeffrey James. Can’t I just drop the cat—”

“How do you know Mr. James, sir?”

“We’re friends. What’s happened? Can I please just—”

“I’m sorry, sir. There’s been an incident.”

Incident? What do you mean incident?” But he knew. Visions filled Max’s mind: Jeffrey with his Sig Sauer and his AK-47. Jeffrey with his shooter’s vest packed with ammo and extra magazines, hundreds and hundreds of rounds, enough for a war—enough for an apocalypse. Going from apartment to apartment, kicking in doors as if he were a Ranger in Iraq, firing at any movement. Bang, bang, bang. You’re dead.

“Jeffrey James, sir. I’m afraid it looks like suicide.”

“Oh,” Max said, setting the cat carrier down on the floor. Carmilla had stopped moaning, apparently reconciled to her current reality. “How many other people? Did he . . . ?”

“Himself only. I’m afraid I can’t say anymore. Can I have your phone number, sir, so we can contact you? We’re still sorting things out.”

“What time did he . . . ?”

“Last night. A neighbor heard the gunshot and called it in.”

“Yesterday was my birthday.”

“I’m truly sorry, sir. If I could have your name and phone number . . .”

“Of course,” he said, and spoke the words and numbers automatically, numbers that would ring a phone in the bookstore, a phone Max would never answer again. He thanked the officer, picked up Carmilla in her carrier, and walked back to his car.

After nearly two hours of driving, his mind blank, Carmilla silent in the carrier on the passenger seat, Max realized he’d forgotten his snacks and his Coke at home. He needed gas anyway, so he stopped at a gas station and convenience store just over the Maine border, filled up, and bought some oatmeal raisin cookies, a Snickers bar, a couple of twelve-ounce bottles of Coke, a gallon of water, a bag of cat food, and a package of red plastic bowls. In the car, he let Carmilla out of the carrier and poured water into one bowl and food into another. He was sure he could find somebody who liked cats along the way. He wasn’t on any timetable. He just needed to get to the farthest shore and let whatever peace was there wash over him.

He opened a bottle of Coke for himself and quickly ate two cookies. Cookies, Karen had said, would be the death of him. In childhood and even up through his mid-twenties he’d been trim and almost scrawny, but now he had the figure of a person who’d been pregnant for a while. He’d tried to stay healthy when he’d been with Karen, but even she had said more than once that he was getting a good gut. That was a long time ago. After she left, he stopped caring.

He’d last been to the doctor eight or nine years ago, and the doctor had told him he should exercise and pay attention to his blood pressure and his cholesterol. Max nodded and did his best to look like he took it all seriously, much as he did during those last months and weeks with Karen, when she said that she worried about him, when she cried and screamed and pounded his chest and said nobody could not care about losing a child, when she told him she’d been sleeping with one of the waiters at the Thai restaurant on the corner of Main Street, when she said she was leaving, finally, for real this time.

It didn’t matter.

Carmilla, content, curled up on the back seat. When Max started the car, she perked her head up, but she seemed to have grown used to the movement, and now she let herself fall asleep as Max drove them toward the edge of the world.

***

Most of the winter snow had melted, trees and lawns were beginning to green, the last vestiges of mud season giving way to spring. Maine seemed somehow more alive than New Hampshire had been, more vibrant in its shedding of the cold months, its skies more blue than gray. Perhaps this was just a particularly sunny afternoon, Max thought.

He hadn’t ever driven a lot in Maine, just some trips to estate auctions and big library sales, and he always lost his way. But there was no great pressure of time right now, so it didn’t matter if he meandered off of Route 1, a road he hated purely because he’d gotten trapped in summer traffic a few times. There wasn’t much traffic today, but nonetheless, he didn’t want to drive Route 1, and so he sought out the smaller roads, ones bumpy with cracks and potholes after the frost heaves had retreated.

He stopped at some woods near Sebago Lake and let the cat out so she could relieve herself. He demonstrated for her by peeing on a tree. She was mostly terrified of this new place and its strange sounds and scents, but eventually she did what she needed to do. Max half hoped she’d dash away and he would then have a reason to be rid of her, but she didn’t stray far from him. After half an hour or so, they got back in the car and headed off, traveling back roads until, by late afternoon, Max saw signs to Brunswick and turned in that direction, hoping to find a place where he might get a good sandwich. There were open parking spaces in front of a little diner in town, so he parked the car, told Carmilla he’d only be a little while, and went inside.

He found a booth and squeezed himself into it. A waitress, probably of high school age, with black hair and radiant blue eyes, handed him a menu, said her name was Melissa, and asked him if he’d like something to drink.

“Coffee,” he said. When she brought it, he ordered a club sandwich with turkey, not toasted because, though he very much liked toasted club sandwiches, inevitably they cut his gums all to hell. She brought the sandwich quickly. It was divine.

He handed Melissa a twenty dollar bill and told her to keep the change. She smiled, apparently at a loss for words, not at all used to a 100% tip. He asked if she liked cats.

“Sure,” she said. “But I don’t have one.”

“I have a cat in my car that needs a home. She’s eight years old and very friendly, used to being around people in the bookstore that I once owned. If you’d like to take her, she’s yours.”

Melissa followed him to the car and peered through the window at Carmilla. “Are you sure?” Melissa asked.

“I can’t take her where I’m going,” Max said. He opened the door, careful not to let Carmilla slip away. He took her in his hands, but she hissed and scratched and howled. He’d never seen her so enraged, even at the vet’s office. She fought with her claws and teeth as he forced her into the carrier. “She hates the box,” Max said, meekly, as he brought it out and handed it to Melissa.

“I’m sure she’ll be fine,” Melissa said.

“Once she gets settled,” Max said. “She’s a good cat.”

“Thank you,” Melissa said, “for everything.”

“My pleasure.” Max went to the driver’s side, opened the door, and climbed in.

“Just keep going north,” Melissa said as Max closed the door. He couldn’t quite hear what she said next, but it sounded like, “Go to Englishman’s Bay.” He rolled down the passenger’s side window to ask her what she was talking about, but she was gone.

***

The woods grew deeper, darker, wilder as Max drove on and twilight fell. He put a CD into the player, a recent Bonnie Raitt album, to try to keep himself from thinking about Jeffrey, but it didn’t work for long. He stopped hearing the music, his mind straying to speculations about where in the little apartment Jeffrey had killed himself, Had he slumped on the futon in the main room? Had he sat on the twin bed in the tiny bedroom? Had he stood in the kitchen area or the bathroom? Which gun had he used? One of the pistols? The utterly illegal sawed-off pump-action shotgun he was so proud of having made? Probably that, yes. Max then thought of all the mess, the blood and brains scattered everywhere. Who would clean it up? The police? Probably not. The landlord would have to call in some sort of cleaners. He’d have to bring in painters and even perhaps carpenters, people to fix whatever the shot had ruined. It would take time. People would have to wonder what this Jeffrey James had been like, what had driven him to this point, this decision. Who had loved him? Who had cared?

Max shook his head and gritted his teeth. Beyond the car’s headlights, the world was dark now. The trees loomed among shadows. Soon, though, he found his way to the shore road where the trees were few, and the smell of the ocean filled the car. Now and then the sound of a particularly large wave crashing against the rocks made its way in between the music and the noise of the engine.

Fifty years old. What a meaningless concept, he thought. He didn’t feel any different today than he had a week ago. A pointless number, fifty. Not even old, really, not these days, when plenty of people lived to be ninety or 100. He didn’t feel any better about it, though. He feared nothing so much as age. Or, rather, he didn’t fear it; it disgusted him. The slow failures of the body. The creeping feebleness and dementia. He remembered his grandparents, their homes and bodies giving off a thick scent he forever afterward associated with growing old—a scent redolent of rotting fruit. In the store, he struggled to remain civil with elderly customers. Their eyes and minds were failing, what did they want with books? How could they possibly get any enjoyment from them? In his last year with Karen, some weeks after Melody died after only one day of life, Karen’s parents came to visit and help with things. Max got blind drunk on Jim Beam. He cursed her parents for their age, for their doddering around his house, for their oh-so-loving concern that seemed, he said, to be nothing more than senility, and swore he wouldn’t pay for them when they ended up in a nursing home, shitting their beds, mewling and puking. Karen’s parents left, and implored her to come with them, to escape Max, but she stayed a while longer.

“I didn’t mean it,” Max said in the morning, once he remembered a bit of what he’d said. Karen nodded. She believed him.

“You never really mean anything, do you?” she said. He shrugged. It was often true, but not that time.

Gas stations had become rare this far north, so Max stopped at the first one he saw when he was down to a quarter tank. He went inside the store, used the bathroom, bought a bottle of Coke, a bottle of iced tea, a bag of chocolate chip cookies, and a Snickers. A blonde young man stood behind the counter.

“How far to Englishman’s Bay?” Max asked, after getting his change.

“Another hour or so. Stay on Route 1 toward Machias, then head down to Roque Bluffs. Someone will find you there.”

“Someone will what?”

“Someone will find you there.”

“What are you talking about?”

“Don’t worry about it, old man.”

“Hey,” Max said, “who do you think—”

“You should go. It’s very dark tonight, and you could have trouble finding your way.”

Max stared at the boy’s cold blue eyes and decided not to press the point. He’d always thought people in Maine were strange, and the farther north you went, the stranger they got. They were isolated, suspicious, stubborn—as if their lives were carved from rock.

The boy was right, though. It was very dark tonight.

***

Max stayed on Route 1 until somewhere near Machias, but must have missed a turn, because the road became narrower, bumpier, and then turned to dirt for a while. He didn’t think he was anywhere near what might be a town. He had always had a pretty good sense of direction, though, and his hunch that he was driving toward the ocean paid off soon enough when he reached the shore road again. He followed it down until it ended at a spot of rough grass and gravel, the driveway of a stone cabin with a few small, square windows, a roof of wooden beams, and a hand-painted sign above the door: La Maison Ravissante.

The heavy wooden front door was open, and Max stepped into a warm, softly-lit room that smelled of wood smoke and baked apples. A small girl, maybe ten years old, with auburn hair and bright blue eyes, stood with her back to a fireplace at the opposite end of the room.

“Excuse me,” Max said. “Are your parents here?”

“No,” the girl said, smiling to reveal a missing front tooth.

“I mean the people who own this place.”

From behind him, a soft voice said, “Hello.” Max turned to see a tall, rugged young man, black-haired and bearded, dressed in jeans and a gray flannel shirt.

“I’m just trying to find Roque Bluffs. Am I anywhere near there?”

“Near enough.”

“Well, that’s a relief. If I go back to the road, where do I need to turn?”

“The night is dark.”

“Yes, I know, believe me. But I need to get to Roque Bluffs.”

“No you don’t,” the young man said. “Come in. Sit down. Warm up by the fire. You’re where you need to be.”

The little girl pulled a leather easy chair up near the fireplace and gestured for Max to sit down.

“I think I’m supposed to go to Roque Bluffs.”

“No,” the young man said, placing his strong hand on Max’s shoulder. “Tonight, you need to be with us.” Gently, the young man pushed Max toward the chair. “We’ll take care of you. Let me bring you some dinner. You must be starving.”

Max wanted to say something, wanted to ask them who they were and what this place was, wanted to say that no, he wasn’t hungry, he wasn’t thirsty, he wasn’t cold—but he was very tired, and he didn’t have the stamina to say any of that. He found his way to the chair and sat down, and the warm fire was, indeed, comforting. Suddenly he was quite hungry and ravishingly thirsty. The man brought him a tray with a large glass of water and a wooden bowl filled with thick beef stew. Max ate. It was the most flavorful stew he’d ever tasted. The meat was so tender it seemed to melt on his tongue.

“My name’s Melanie,” the little girl said.

“Hello,” Max said between slurping bites of stew.

“You’re old,” Melanie said.

“Older than you, yes,” Max said. He gulped water.

“You smell old,” Melanie said.

Just as Max thought of something to say to that, he forgot what it was. The little girl laughed at him, then ran around a corner and disappeared. Max lifted the glass of water, but it fell out of his hands and spilled all over him. He reached for the bowl of stew, pulling it closer, but it slipped in his fingers and poured across his chest.

“Come along,” the young man said from behind Max. “I’ll clean you up and put you to bed.”

The man lifted Max in his arms like a firefighter come to rescue him. He carried Max upstairs to a pool of warm water and soap, then to a bed in a dark room.

When Max woke in the middle of the night, a bright moon shining onto his face through a window above the bed, he vaguely remembered his arms and legs fitting into manacles on iron chains. He laughed at the strange memory, then turned onto his side.

The chains reached from his wrists and ankles to heavy bolts in the floor.

He screamed through the night, until his voice was dust, but he couldn’t help falling back to sleep again.

***

He woke to music. Bright morning sunlight stung his eyes. Somewhere outside, a chorus sang. The voices were high, ethereal.

Max sat up. He was naked, with no sheet or blanket on the bed. He was not cold, though—indeed, the room’s heat was almost choking. He lifted one arm. His flesh was bruised and red where the chains bound him. The chain on his left leg was not quite long enough for him to swing himself into a sitting position on the bed.

“Hello . . . ?” he called, his voice rasping.

Some moments later, the door opened and Melanie, dressed all in white, walked in.

“Good morning,” she said.

“What are they doing to me?” Max said.

“Cleaning you up,” she said. She hopped from foot to foot and chanted, “You’re a mess, you’re a mess, you’re a mess.” She giggled.

“Please help me,” Max said.

Melanie ran to him and planted a kiss on his lips. “Help me help me help me help me help!” she screamed, then fell down on the floor laughing.

A figure appeared outside the door. “Melanie, leave the old man alone.”

Melanie walked out of the room. A woman—perhaps twenty years old—stepped inside and closed the door behind herself. Her hair was long and a very light brown, almost blonde. Her breasts were large, the nipples vaguely visible through the soft white fabric of her dress. She knelt down beside Max. Her hand rubbed his stomach, then her fingers slowly, gently moved lower.

Without even knowing what he was doing, Max swung his arm and hit her across the face, the iron manacle on his wrist slicing her lip open. The force knocked her to the floor. She held a hand to her mouth.

“I’m sorry,” Max said. “But—you can’t—I don’t know why I’m here and you—”

The woman stood up. Blood had fallen onto her dress. She opened the door and walked outside.

A few minutes later, the bearded young man came into the room. His clothes were made of fur and the skins of animals.

“Why did you hurt Merissa?” he said. “She wanted to give you pleasure. She pities you.”

“What are you doing to me?” Max said.

“You came to us.”

“But why are these chains—why am I—what am I doing here?”

“It sometimes happens.”

“I had dreams of the ocean. I knew I had to get away. I knew I was . . .”

“Yes?”

What were the words? He couldn’t remember. Other words came to him: “Getting old.”

“Yes.”

“Is that why I’m here?”

“Perhaps,” the man said. “It sometimes happens.” He walked out of the room and closed the door behind.

Later, a pale young man with sharp, uneven features and matted, yellow hair brought a bowl of fish chowder to Max and fed him with a wooden spoon. Max didn’t speak, merely let the young man feed him, and said nothing when the young man’s lips touched his, the tongue wiping away some last bits of chowder. For the first time in many years, and against whatever remained of his will, Max found himself aroused. There was, in his nakedness, no hiding it. The young man seemed not to notice. He set a large porcelain chamber pot under Max and waited until he could take away the wastes.

Days passed, and every few hours (judging by the sun), the young man came in and fed Max the most delicious food he had ever eaten—stews and chowders and soups at first, then hardboiled eggs and cheese, then larger and larger pieces of beef and pork. Now and then Melanie peeked in the door and giggled, but no one else visited him. The young man washed him with hot water, soap, and a plump, yellow sponge. He provided a porcelain chamber pot and waited while Max shat and pissed. The young man was attentive, always ready for Max to release his wastes, always careful to clean every bit of his body.

And then, on what seemed to Max to be perhaps the eighth or ninth morning, Melanie woke him by running into the room and jumping up onto the bed while screaming, “It’s the big day! It’s the big day!”

The tall, young man who wore the furs and animal skins quickly entered, swept Melanie into his arms as she bounced, and stole her out of the room. The silent young man with matted, yellow hair then came in, carrying a wooden pail from which he fed Max a particularly large meal of pork, ham, mashed potato, carrots, turnips, and rice. “Please stop,” Max said as the young man pushed more food into Max’s mouth with the wooden spoon, but the boy did not seem to hear him, or did not care, and the feeding went on and on until Max was certain he would vomit. From a stone pitcher, the young man poured thick buttermilk into Max’s mouth. Max coughed and nearly choked on it. The buttermilk splashed all over his face, even into his eyes. The young man carried the pail and pitcher out, then returned a few minutes later with a bucket of hot water, soap, cloths, and a sponge. He spent even more time than usual cleaning Max, wiping away the remnants of the meal with the cloths, and then, with the sponge, attending to every inch of his skin. The cleaning was slow and sensuous, once again arousing Max, and this time the young man noticed, letting his hand and the sponge provide pleasure, forcing Max to close his eyes, to try to think of something else, but the food had relaxed him, and the washing had calmed him, and he could not distract himself from the gentle, rhythmic pleasure. Afterward, the boy continued to clean him, then, finally satisfied with his work, he kissed Max gently on the lips and departed.

The tall young man came in and unlocked the manacles around Max’s wrists and ankles. “Try standing up,” the man said. “Use me for support.”

Max slung his arm around the man’s shoulders and together they tried to heave him up. His muscles were weak, making his legs feel like liquid. His stomach was larger than ever before, and as he tried to stand he realized he didn’t quite know what to do with such a belly—its weight was unfamiliar to him, skewing his perception of his own center of gravity. If the young man hadn’t been holding him, Max would have fallen forward onto his face. He chuckled as the image entered his mind: himself, tipping over, rolling onto the now-massive cushion of his front.

“Hans!” the young man called, and the pale boy—He has a name, Max thought—entered. “Take the other side,” the man said.

Together, they helped Max out into the hall, where Merissa waited with a white sheet that she carefully wrapped Max in. He felt some shame in his nudity, his immense stomach, his weakness, but more shame when he saw Merissa’s bruised face and thick, slit lip. He had done that. “I’m sorry,” he whispered as she wrapped him in the sheet. She did not look into his eyes.

Everyone, even Melanie, helped get him down the stairs, with a few people below and few people behind, shuttling him like a large piece of furniture. He tried to distract himself from the pain in his hands and feet, tried to remember a song or two, something, anything to get his mind off of where he was now. (How had his stomach grown so immense and his muscles so useless in such a short time? It had only been eleven or twelve, maybe thirteen days, he was certain.) He couldn’t remember any songs. He couldn’t remember even quite how he’d gotten here, or where exactly here was.

At the bottom of the stairs, they helped him back onto his feet, and he did his best to balance and to walk. The front door of La Maison Ravissante opened, revealing a warm and sunny world. He squeezed through the door.

A few feet from the front of the building stood a large chair, a rustic throne made from heavy, dark, knotted wood. Hands jostled Max, spinning him around until he was placed just right, then pushed him down into the chair. Someone put a crown of evergreen branches on his head. It shed needles onto his forehead and down the back of his neck.

People had gathered around him—new people, all young, mostly blonde, mostly blue-eyed, dressed either in the simple white clothes he’d seen so often or some sort of animal skins. They took hold of the bottom of the chair and hoisted him above their shoulders. They carried him around to a staircase leading down to the sea.

“Where are we going?” Max said, his voice sounding odd to him, small and willowy. “What’s going on?” Melanie skipped along beside. He called out to her. “What is going to happen?”

She giggled and bounced and stuck her tongue out at him.

More people waited down on the rocky beach. Men and women, all, it seemed to Max, in their early twenties or so, all wearing animal skins and carrying tools of some sort: knives, gaffs, axes.

Little fires set in cairns dotted the beach.

The chair lowered to the ground. Water tickled Max’s toes. Ocean spray scratched his eyes. Sand and salt flared his wounds.

“The old man has arrived!” someone said.

“He’s better than the last one,” someone said. “This one was all bloody when he got here.”

“We cleaned him up, though.”

“He needs to be here.”

“We need him,” someone said.

A knife flashed, cutting below Max’s eye. Instinctively, he raised his hand to defend himself. Another knife sliced his palm.

“What are you doing to me!” he screamed, but his voice was little more than a whisper, a flash of air in the wind.

Laughter all around. Hans stepped forward, pulled down his white pants, and sprayed a stream of warm piss into Max’s face. Melanie bounced around behind everyone, singing out, “The old man is here, the old man is here, the old, old, old, old man is here!”

Merissa pressed herself against Max’s left side. She unbuttoned her shirt, bared a breast, pressed the nipple to his lips. The crowd cheered her on, voices calling out: “Is that what you want, old man?” and “Is that what you miss?”

He closed his eyes. He could not feel the fingers in his injured hand.

His brain exploded in light. Someone had hit him in the back of the head with something hard, a piece of wood or stone. He tried to turn to see, but his skull didn’t want to do what his mind commanded.

Everyone stood back. Clouds writhed across the sky. Larger and larger waves smashed onto the beach.

Melanie waded forward and climbed onto the chair with Max. She wrapped her arms around his neck, then whispered in his ear: “Remember, forever and ever and ever. You are our savior. We love you. I love you.”

Her tongue tickled his ear. Her teeth tore at the lobe. He tried to raise his arms to get her off of himself, but he didn’t have the strength. She bit deeper. The pain was hot. Her breath in his ear turned to a splash, then a high-pitched ringing that spread misery across his forehead and through his eyes and throat and heart.

Melanie knelt in the water beside him and smiled, half his ear displayed between her teeth.

The other people ran in, their tools raised high, their laughter and screams louder than the growing noise of the waves. For a moment, Max feared Melanie might be trampled, but she easily got out of the way, bounding back toward the stairs leading up to the house. His skin was slashed, his bones battered. Hans took a carving knife to Max’s genitals. It was all pain and all nothing. The world turned red and then black when they thumbed out his eyes. They left him his tongue, a fact that, somewhere in the far recess of his consciousness, provoked surprise.

He could not see the care they took when cutting open his stomach, the reverence with which they held his viscera, the gentleness with which they placed these parts of him in each flaming cairn along the shore.

He did not know that a wave knocked him from his chair and splayed him on the beach. He did not hear the people leave him, nor feel the tongues of the cats that licked his wounds. He did not know where he was, did not perceive the cold or night. For longer than anyone expected, nearly into morning, the wind carried the sound of his singing.

 

[end]

 

- - -

 

Nightmare Magazine is edited by bestselling anthology editor John Joseph Adams (Wastelands, The Living Dead). This story first appeared in the Nightmare’s August 2013 issue, which also features original fiction by Jennifer Giesbrecht (“All My Princes Are Gone”), along with reprints by living legends Robert McCammon (“Nightcrawlers”) and Clive Barker (“Lost Souls”). We also have the latest installment of our column on horror, “The H Word,” plus author spotlights with all of our authors, a showcase on our cover artist, and part two of our two-part feature interview with bestselling author Joe Hill. (Part one can be found in our July issue and on our website). You can wait for the rest of this month's contents to be serialized online, or you can buy the whole issue right now in convenient eBook format for just $2.99. It's a great issue, so be sure to check it out. And while you're at it, tell a friend about Nightmare!

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