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Six Flags Completes World's Tallest Drop Ride – 'Zumanjaro: Drop of Doom'

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With Summer rapidly approaching, adventurous vacationers are looking for that next heart-stopping thrill ride, and this year Six Flags Great Adventure in Jackson, New Jersey may have just what they're looking for... and then some.
 
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The park has finished construction on “Zumanjaro: Drop of Doom,” which has now officially set the world record for the tallest drop ride, hauling victims – er, I mean passengers – 415 feet in the air before dropping them to earth at 90 miles per hour.
 
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Zumanjaro was inspired by the African theme of the Safari Off Road Adventure, which made its debut last Summer. Its gondolas carry riders straight up the face of another record-breaking ride, the “Kingda Ka” coaster, which curves directly overhead, its cars racing by the vertical drop track at 128 miles per hour. The steel coaster replaces the long-running wooden coaster “Rolling Thunder,” which was retired last Fall.
 
 
Find out more about the Drop of Doom at Six Flags Great Adventure... and be sure to check out the world's tallest Ferris Wheel, which just opened on the Las Vegas Strip or take a ride on this terrifying water slide!

Warning: Watching This Video Can Trigger Bizarre 3D Hallucinations

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Remember David Cronenberg's trippy classic Videodrome? In that brilliantly demented film, anyone exposed to the Videodrome TV signal began to experience bizarre, horrific hallucinations, which distorted viewers' perception of reality and eventually killed them.
 
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I'm not saying the clip below will do the same thing to your brain... let's just say I can't guarantee your safety if you decide to press Play.
 
According to I Fucking Love Science (whose stories have been pretty horrific lately), this animation has been precisely designed to trigger more than just a standard optical illusion; if you follow the instructions to the letter, the patterns will stimulate your brain in such a way that it will expect them to continue... long after you've stopped looking at them.
 
Hallucinations
 
The full effect is best created by watching the HD version on a compatible hi-res monitor. They warn that the strange sensations may continue for a couple minutes, but are otherwise harmless (so they say). The only noted risk is for those susceptible to light-triggered seizures.
 
With that in mind, press Play and fire up the All-Seeing Eye of Doom... you have nothing to lose but your sanity!
 

 

Haunting Art Series Shows That Ghosts Just Want to Have Fun

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Ghost Photographs

Artist Angela Deane is painting the world white, and a full-scale invasion of paranormal entities is underway, thanks to the strokes of her brush. Have no fear, however, because they're not looking to harm or scare the pants off you. They just want to have fun.

Ghost Photographs

As we spotted over on Beautiful Decay, Deane recently embarked on a project called 'Ghost Photographs,' where she paints friendly-looking ghosts over top of found photos. Obscuring the faces and bodies of the people in these photographs with white sheets and black eye-holes, Deane sets out to explore the idea of memories, which she describes as a "beautiful, painful and ultimately puzzling human condition."

Ghost Photograph

"I cover the people with paint, subtracting the specific identity of each person and transforming them into anonymous ghosts for the viewer to project upon," says the artist. "In this way, a private and specific experience becomes an open and shared one through the material addition of paint on photograph. Through this haunting of the material, the ghosts become us and we become the ghosts."

Ghost Photographs

An interesting idea, to say the very least. You can learn more over on Angela Deane's website, and follow the project on the Ghost Photographs Tumblr blog.

For ghostly activity of a different kind, head into FEARNET's paranormal archives!

Video: 'The Originals' Talk Loyalty and Death

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The Originals made their first appearance at 2014's PaleyFest. We spoke with stars Daniel Gillies, Phoebe Tonkin, Danielle Campbell, Leah Pipes, and series creator Julie Plec about loyalties, death, and what we can expect for the rest of the season. (Hint: "There will be some birthin.'")

The Originals airs Tuesdays at 8pm on CW. 

French Artist Turns Beloved Childhood Characters Into Horrifying Monsters

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Little Mermaid

As Michael Bay has surely learned by now, messing with beloved childhood icons is something you ought to be really careful with, because nothing makes us geeks angrier than when we feel that our favorite characters aren't being treated properly.

French artist Sylvain Sarrailh most definitely is not treating our favorite childhood characters properly. But I'm willing to bet you'll be totally okay with that, once you get a hold of his awesome art.

Alf

Sarrailh is a digital artist who goes by the handle Tohad over on Deviant Art, and his page is absolutely chock full of unique, and oftentimes quite brutal, takes on childhood icons, which see them being turned into both badass heroes and horrifying, blood-covered monsters. Nobody, and I mean nobody, is safe from the wrath of Tohad, and that includes the likes of Alf, Shrek, Ronald McDonald and yes, even those adorable little Powerpuff Girls... who are not so adorable anymore.

Shrek

Be sure to check out Tohad's Deviant Art page to see many more where these came from.

Ronald McDonald

Powerpuff Girls

Lion King

Winnie the Pooh

Pinocchio

Pink Panther

What would Disney princesses look like, as Walking Dead survivors? Find out by clicking the link!

Cemetery Dance to Release 'Fangoria: Cover to Cover' Coffee Table Book

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Revered publishing house Cemetery Dance Publications is honoring another of horror's most beloved institutions with their upcoming release of Fangoria: Cover to Cover– a full-color trade hardcover compiling every Fangoria cover since the beloved magazine's inception in 1979.
 
Fangoria_Cover_to_Cover
Edited by former Fango editor Tony Timpone, the coffee table-sized special edition compiles historical information, trivia, photos and more from the magazine's archives, as well as a foreword by horror legend Bruce Campbell, introduction by current Fangoria Editor-in-Chief Chris Alexander, and afterword by Managing Editor Michael Gingold.
 
Fangoria: Cover to Cover is scheduled for publication this August at a MSRP of $49.95. Be sure to preorder your copy pronto from Cemetery Dance– as of this writing they're already 50% sold out!
 
 
 
 

Does the Mythical Blood-Sucking Snallygaster Still Prowl the Skies?

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Snallygaster

I'm sure you've heard of cryptid creatures like Bigfoot, the Loch Ness Monster, the Jersey Devil and the Mothman, but over in Maryland there's a mythical beast that you may not be familiar with. Meet the Snallygaster; a creature that's perhaps more frightening than all of the aforementioned ones combined.

Per Wikipedia, the Snallygaster was first spotted by German immigrants way back in the 1730s, in the Maryland counties of Washington and Frederick. Oftentimes described as a reptilian/bird-like creature with massive wings, a single eyeball and giant tentacles, the creature was believed to prowl the skies on the hunt for human victims, plucking them up from the ground, bringing them high up to the hills surrounding the counties and feeding on their blood.

Sightings of the monstrous Snallygaster continued through the 1900s, and U.S. President Teddy Roosevelt reportedly considered taking matters into his own hands and hunting down the beast. Though the winged terror hasn't been spotted in some time, seven-pointed stars can still be seen painted on the sides of barns in the area, which were put there to keep the Snallygaster at bay.

Who knows... maybe he's still out there... and maybe he's soaring high above your town, as you sit here reading about him...

Revisiting Edgar Allan Poe's Classic Poem 'The Raven'

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In January, BoingBoing featured a piece on the The Library of Congress scans of artwork from an original print of Edgar Allan Poe's poem "The Raven."
 
Raven1
 
These scans bring to vivid life one of Poe's most famous and beloved works. "The Raven" is a familiar tale of love, loss, mourning and insanity. It was no secret that Poe was something of a tortured individual, but his melancholy never stopped him from creatively and meticulously planning his works.
 
Raven2
 
He was well-known for saying that writers should plan out their works ahead of time. In that respect he was a perfectionist and, like most writers, extremely critical of his own work. Whether or not one agrees with his belief that writers should always have a plan (or outline) before creating a story, poem or other written work, it is clear to see that "The Raven" is a great example of writing at its finest.
 
Raven3Raven4
 
During the course of this classic poem, the narrator seems to be intentionally tortured by a pitiless raven, who constantly reminds the man that he'll never again see his lost love, Lenore. The raven itself is a common figure in mythology, usually as a messenger.
 
What really seems to make this poem stand out as a classic is how exceptionally it unites both narrative storytelling and rhyme. It might be said that even some epic poems of earlier ages failed to consistently hold both a strong narrative and flowing poetic rhyme throughout. 
 
Raven6Raven5
 
The haunting illustrations which accompany the manuscript, rendered by legendary French artist Gustave Doré, are as artistic and meticulous as the poem itself, and accentuate what was already a masterpiece on its own.
 
To see larger scans of "The Raven", visit the Library of Congress and BoingBong.net.

Serial Killer Jeffrey Dahmer's Childhood Home is Up for Sale

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Unlike the exciting discovery that horror icon Bela Lugosi's one-time L.A. mansion is now on the market, this new real estate find might make you a bit more... uncomfortable: According to AOL, the Ohio home of notorious cannibal killer Jeffrey Dahmer – and apparently the site of his first murder – is now for sale.
 
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Photo: Fox 8 Cleveland
 
The pastoral property looks pretty inviting, considering its ghoulish history; the 2,100-square-foot house sports a scenic view of the surrounding wilderness, with lush gardens and walking trails, and the interior features two fireplaces and a European-style kitchen. (Given the details of Dahmer's crimes, I'm going to refrain from commenting on that last part.)
 
Dahmer_house5
Photo: Fox 8 Cleveland
 
The current realtor, Richard Lubinski, told AOL that Dahmer moved into the house with his parents when he was 8 years old, and it was in the same location that his first victim, teenager Steven Mark Hicks, was brutally murdered. (The other 16 known victims were killed in Wisconsin over a 13-year span.) 
 
Dahmer_house2
Photo: AOL.com
 
Lubinski clearly has no problem explaining the house's morbid history, and claims prospective buyers don't seem to mind. The house was previously owned by an unnamed musician (no, it wasn't Marilyn Manson or Trent Reznor) and went back on the market in 2012, though there were no takers at that time. It's back on the market now, with an asking price of $295,000.
 
Dahmer_house1
Photo: AOL.com
 
If you're thinking of taking a peek for yourself, bear in mind that the realtor is only interested in serious inquiries.
 
“The house is not a museum,” Lubinski says. “We're not giving public tours.”

Has This Texas Family Captured the Infamous Chupacabra?

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Chupacabra

Chupacabras - or at least strange-looking animals that look like what I'd imagine a Chupacabra probably looks like - have been running rampant in Texas this year, and we here on FEARNET have been keeping a close eye on all the reports and sightings.

It all began when a man photographed a so-called Chupacabra in his backyard back in February, and continued last month, when a family shot down one of the same unusual creatures. What the hell is it? Well, now that one has been captured alive, we just might be on the verge of finding out...

Chupacabra

The Daily News reports that Jackie Stock and her husband Arlen Parma spotted the hairless animal seen above on their property this past Sunday, which was treating itself to their corn. Rather than shooting it down, like the last family that came across one of these did, the couple captured the animal in a cage, and they firmly believe that they have indeed got their hands on one of the infamous goat-suckers. Parma says he's hunted animals for 20 years and he's never seen one that looked, or sounded, like this one does.

Chupacabra

Much like with the previous stories, skeptics believe that these so-called Chupacabras that have been recently sighted in Texas are actually coyotes or dogs with mange, while others believe that people are purposely cross-breeding the two together, to essentially create faux Chupacabras.

Is it just me, or is this little guy kind of adorable? I want one. I really want one. And I'm totally up for taking on the risk that he might rip open my chest and feed on my heart.

Mysterious Craigslist Ad Seeks Evidence of a Vast Alien Conspiracy

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Before I go too deep into this one, I should say up front that I don't endorse any of the claims in this story, and I'm staying neutral on the veracity of whole thing... but it's just too damn eerie and fascinating to ignore.
 
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Photo: FreeOurWorld.org
 
A recent ad on Craigslist, posted by an organization calling itself Free Our World, has folks in Los Angeles (and beyond) a bit baffled: linking to a huge collection of YouTube videos posted by a man named Richard Bruce, the lengthy post invites interested parties to submit visual evidence of a vast, far-reaching conspiracy by a reptilian race known as “Draconians,” whom the group claims have infiltrated all levels of human government, the military, police and the media. 
 
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Photo: FreeOurWorld.org
 
Some of the most-viewed clips on Bruce's channel claim to reveal hidden alien characteristics of public figures, ranging from President Obama to Angelina Jolie... and this clip, showing the alleged on-camera transformation of Keanu Reeves from his “true” form:
 
 
Bruce asserts that the creatures have been conducting a program of mass hypnosis (exactly the premise in John Carpenter's They Live, which he even references in the posting) to subdue and control the unwitting human population... who may also be livestock for the carnivorous invaders.
 
They_Live
 
“I did not realize how serious the situation was until I became a target for government/police harassment and intimidation,” Bruce explains, describing how he has come under constant surveillance. Even creepier is his assertion that the Draconians have been present throughout human history, working in tandem with other alien races – including beings like the infamous “Grays” – as part of a multi-dimensional campaign to dominate less-advanced species throughout the galaxy.
 
“We are not alone,” he warns. “Not even close.”
 
If you're interested in submitting video evidence to Free Our World, submission details are provided, along with a wealth of strange and disturbing media, via the group's official site.

Dangerous Games: 'City of Horror' Board Game Review

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The chair creaks as you settle onto it. The candlelight flickers. All around you the ravenous faces of your so-called friends twist in delight as you slowly open the box laid out on the table. Welcome to Dangerous Games! Each week, we'll feature a horror/thriller/monster tabletop game you should be playing. Don't be scared… roll the dice… what's the worst that could happen? 
 
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City of Horror (Asmodee Games, 2012)
 
Was it a cat that just kicked over that trashcan? Or was it one of those damned zombies? You and two of your friends huddle together in the bank. You can hear screams and gunfire outside. Suddenly, you hear an explosion and the wrench of steel as the waterpower collapses! The zombie hordes are massing at the doors to the bank, and they must be sated. You begin to concoct a plan, a route of escape, and suddenly you feel strong arms grabbing you and yanking you toward the door! No! No! You're friends, the people you've survived with these past few rueful days, are throwing you out to the zombies! As the undead swarm around you there's time enough to shake your fist in fury. How could they betray you… before you got to betray them?
 
In City of Horror, three to six players try to survive in a terrifying city torn asunder by the undead. You and a few other survivors are all that remains, and the helicopters aren't coming for another few hours. The person at the end of the game with the most surviving characters (whose victory points tally the highest) wins! But you won't get to the top without throwing a few of your buddies down along the way.
 
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Gameplay Mechanics
 
City of Horror is played on a three-dimensional board. Each player controls several characters. Players will, in secret, play a card saying where on the board they want their characters to travel. If a location on the board is full (every location has a limited amount of characters it can hold) your character is bumped out into the center of town - which is a very dangerous place to be. 
 
Once all actions have been resolved and zombies are added to each location, it's time to sacrifice characters. A vote is taken, in secret, at every location. If you're voted out, you're thrown to the zombies. The game becomes a complicated game of survival and betrayal; you have to hold out until the helicopters arrive, but how many of your characters will remain?
 
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Replay Value
 
There's so much more that goes into this game. More than I could explain in the gameplay mechanics. And all those extra nuances (like foraging for food, finding antidotes, and deadly explosions) add a ton of replay value to this game. The board itself is also modular. Each piece of the board has two sides to it, with two different locations. So you can always play with different town layouts. There's also a vast array of characters you can play; each character has a special ability, from the daft old man who's worth extra points to the scary little girl, and whomever you choose for your team can truly affect the game.
 
Overall Impressions
 
Oh, this is a very impressive game. I played it a while back and it's been on my mind ever since. Replaying it, I found it to be treacherous good fun. Watch out for any fragile friendships you may have; they won't last long after a game of City of Horror. But the game rewards strategy, and the player who outright outwits his opponents is the victor. Think of it like the TV show Survivor, but with bloodthirsty zombies replacing reality TV stars.

LA Peeps! Special Screening of 'Leatherface: Texas Chainsaw Massacre III'

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On Saturday, April 5th, at 11:59pm, Horror Movie a Day will be hosting a special screening of Leatherface: Texas Chainsaw Massacre III at the New Beverly Cinema. The film is notorious for being the final film to be granted an X rating before the MPAA instituted the NC-17 rating in an effort to negate the sexual connotation of the X rating. Of course, New Line ended up butchering the film in order to get a box office-friendly R rating. The film was eventually released uncut on VHS and DVD. The version screening at the New Beverly is the heavily edited theatrical version, BUT it is likely the first time the 35mm print has been screened since the original theatrical release.

For more details, and to purchase tickets, visit Brown Paper Tickets.

Poster designed by Jacopo Tenani.

Scientists Find Conditions for Alien Life on Saturn's Moon Enceladus

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If you've been keeping up with space exploration news, you've probably heard about the strong possibility of Jupiter's moon Europa containing the right ingredients for alien life. But more evidence from the Cassini space probe suggests that Saturn's ice-covered moon Enceladus may be an even better breeding ground for extraterrestrials.
 
Enceladus1
Photo: NASA/JPL/Space Science Institute
 
According to Space.com, a team of researchers has published an amazing new study, stating that the ocean of liquid water beneath 20-mile-thick ice at the moon's southern pole could contain all the elements needed to support the development of life, in many ways similar to that which first appeared on Earth. 
 
This confirms what many scientists have suspected since the 2005 discovery of ice and water geysers bursting into space from cracks in the moon's surface; these dark fractures have been nicknamed “Tiger Stripes.”
 
Enceladus2
Photo: NASA/JPL/Space Science Institute
 
The team's full report is now published in the journal Science.
 
 
Another cool new development in the search for extraterrestrial life is the James Webb Space Telescope, set to go into space in 2018.

Antarctica's Blood Falls Lives Up to Its Name; Inspires Upcoming Horror Film 'Blood Glacier'

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Blood Falls

Yesterday, the trailer hit the net for an upcoming horror film called Blood Glacier, which is being released into select theaters and onto VOD outlets on May 2nd, courtesy of IFC. Heavily inspired by John Carpenter's The Thing, the film centers on a team of scientists who notice a strange, red liquid pouring down a glacier, with the 'blood' causing horrifying changes in the wildlife it comes into contact with.

You can check out the trailer below, but first we invite you to learn a little bit about the real-life location that quite clearly served as the inspiration for the film.

Located in East Antarctica, Blood Falls is the name given to a naturally-occurring plume of saltwater that perpetually flows from the Taylor Glacier, covering the ice in its path in a bloody-looking mess of red liquid. The strange phenomenon was discovered in 1911 by an Australian geologist, and it was determined that the water flowing from the glacier is tainted with iron oxide, which gives it the unusual reddish coloring.

So yea. It's not actually blood. But it looks like blood. And that's cool enough for us.

Now that you've been armed with this little primer course, check out the trailer for Blood Glacier, which looks to be a gory blast of practical effects-heavy fun!


That Time When Partygoers Put a Black Magic Hex on Hitler

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January 22, 1941, Maryland. A "youthful band of idealists" head out to a remote cabin. Sure, they may be well-stocked with booze, but this isn't a typical party. These guests are planning a black magic hex on Adolf Hitler. LIFE Magazine accompanied the "cult" and reported on the festivities in their February 10th, 1941 issue.

Joined by occultist and author William Seabrook, the partygoers came armed with "a dressmaker’s dummy, a Nazi uniform, nails, axes, tom-toms and plenty of Jamaica rum." They dressed the dummy in the Nazi uniform, and chanted things like "Hitler! You are the enemy of man and of the world; therefore we curse you. We curse you by every tear and drop of blood you have caused to flow. We curse you with the curses of all who have cursed you!"

According to LIFE, 

“The occult ceremony climaxes as hexers hammer nails into the heart and throat of the image of Hitler. The hexers called on the pagan deity, Istan, to transmit the image’s wounds to the flesh of the living Hitler . . . chanting in unison: ‘We are driving nails and needles into Adolf Hitler’s heart!’

The ceremony ended with the dummy being decapitated and buried in the woods.

French Performance Artist Spends Two Weeks Living Inside of a Grizzly Bear

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Grizzly Bear

I remember watching the documentary Grizzly Man many years ago and thinking that the late Timothy Treadwell was pretty whacky, for choosing to live with grizzly bears. But Abraham Poincheval is taking that whackiness to a whole nother level. He's not living with a grizzly bear... he's living INSIDE of a grizzly bear.

Odditity Central reports that Poincheval, a French performance artist, is known for cramming himself into tight spaces for extended periods of time, and he recently spent an entire week in a small hole underneath a bookstore. This past Tuesday, Poincheval began his most unusual living art exhibit to date, converting the inside of a real-life grizzly bear into a small apartment, where he will remain through April 13th.

Abraham Poincheval

Poincheval excavated the bear himself and reconstructed it with plywood, plaster, foam and tubes, covering the makeshift home with the animal's actual skin and fur. Inside are reading materials, exercise bands and various bear-friendly foods - such as insects and worms - and Poincheval plans on spending the entire 13 days inside the bear, not even coming out to stretch or relieve himself. Where does his waste go, you ask? Well, tubes have been outfitted in the bear's legs; one to collect waste, the other to store enough water to keep the artist hydrated.

The exhibit is aptly titled 'Inside the Skin of a Bear,' and Poincheval says he's doing it in an effort to experience the animal's perception of the world. Well, alright then.

Head over to Abraham Poincheval's website to watch a live stream of this most unusual event, which is taking place at Paris' Hunting and Wildlife Museum.

Bagged and Boarded Comic Reviews: Jack the Ripper, Edgar Allan Poe, more

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New comic book Wednesday has come and gone. The dust at your local comic shop has settled. An eerie silence descends as you finish reading your last superhero book of the week. Now it's time for something a little more sinister. Welcome to Bagged and Boarded: comic reviews of the sick, spooky, twisted and terrifying!

Monster and Madman No. 2

The wonderful monster mash-up from Steve Niles continues with issue two (of three). In the last issue, Frankenstein's Monster was found roaming the great frozen wastes immediately following the events of 'Frankenstein'. Now, he's met up with a very helpful doctor in London who goes by the nickname Jack. Seems suspicious, don't you think?

Bag it or board it up? There are so many ways that this comic could end up seeming corny. Oh, Frankenstein's Monster really bumps into Jack the Ripper? Yeah right! But it all works. Maybe it's the hypnotic artwork. Or Steve Niles' pitch-perfect script. Either way, this comic feels real, looks amazing, and is one of my favorites of the season.

Bad Blood No. 4

Trick is a good kid. He's a sick kid, too. Diagnosed with cancer that waffles in and out of remission, Trick lived his life in constant fear of the next blood test. But now he's got bigger things to worry about. An ancient vampire tried to bite Trick, found his cancerous blood poisonous and foul, and is now trying to kill him. The vampire's been disfigured, Trick's being taught how to fight from an old vampire slayer, and soon things are going to get even weirder!

Bag it or board it up? Here's another all-star in my book. This comic takes a fun and popular subject like vampire hunting, and adds this whole new layer with the sickness of the protagonist. Trick is a very sick guy, and it's a struggle to watch him cough and falter. It's a triumph to watch his cancer go into remission. These are things you don't normally get to dive into with genre stories, and it's what makes 'Bad Blood' so special.

Edgar Allan Poe's The Premature Burial

Famed writer/illustrator Richard Corben is back at it with another installment of Edgar Allan Poe adaptations. He's already done classic works like 'The Masque of the Read Death' and 'Fall of the House of Usher,' but now he's set his sights on "buried alive" stories. First, he adapts the dizzying 'The Premature Burial' then we see the famous 'The Cask of Amontillado' story in Corben's famous style.

Bag it or board it up? I really like that we get two short adaptations in this comic. Corben seems to have found a kindred spirit in the works of Edgar Allan Poe (hell, who hasn't). These two short stories are filled with vile urges, slighted mad-men, and the plump, wriggling bodies Corben loves to draw. If you're a fan of his work this is another must-have.

Lobster Johnson: Get the Lobster No. 3

Lobster Johnson is for all those Batman fans out there who always thought Gotham would be a lot safer if the Bat just went ahead and murdered the Joker. Lobster Johnson is a leather-clad, calling-card-carrying, bad guy murderer. He's vigilante justice with a pistol, not a fist. But now the police are really after him, and as he tries to stop a string of bank robberies all across New York City, he's cornered by the cops and assaulted.

Bag it or board it up? I love a good, old-fashioned 1930's crime comic. And Lobster Johnson is just about as good as it could ever get. The Lobster is a great hero, and we spend most of this issue with his friends, enemies, and those who fall somewhere in between. With very little Lobster action, this isn't the best issue to pick up if you've never read any others, but it's still a damn fine issue, and worth your attention.

TV Recap: 'Hannibal' Episode 206 - 'Futamono'

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Hannibal Episode 206
“Futamono”
Written By: Andy Black, Bryan Fuller, Steve Lightfoot, and Scott Nimerfro
Directed By: Tim Hunter
Original Airdate: 4 April 2014

In This Episode…

Jack goes to see Will, and tells him that Hannibal was nearly killed by the man who killed the bailiff and the judge. The only important part of that “story” is that the orderly didn’t kill the judge - that was the Ripper. And nothing Will said made that happen - it just happened. He also knows why the Ripper kills in quick succession: if he waits too long, the meat spoils. Jack is surprised that the Ripper eats his victims, and equates him to Hobbs - a likeness that Will quickly erases: “Hobbs ate his victims to honor them. Hannibal eats his victims because to him, people are no better than pigs.” Will thinks he is going to hold a dinner party soon, and suggests that both he and Jack were fed human flesh while dining with Hannibal.

Hannibal is preparing skewers of heart with Alana, who is counseling-him-as-a-friend to find a way to deal with what happened to him. He is: composing music on a harpsichord. He wants to get his appetite back. Going through his rolodex, and his recipe box, he does get it back; it blooms. Literally. It blooms as a new victim, a man who has literally been grafted into a tree, his chest hollowed out and stuffed with flowers. Posed in the middle of a parking lot, all his organs were taken, except for the lungs, which showed he was drowned. (There are even little microscopic water organisms that can pinpoint where he was drowned.) The man was literally grafted into a living tree, sewn to it using a complex cardiovascular surgical method. Each organ was replaced with a poisonous flower, which leads Jack to surmise the Ripper found the victim to be “toxic.” When Jack takes news of this victim to Hannibal, he stops Jack before he can reveal any of the details. He wants to let it all go. “I nearly died. I can’t dwell on death anymore.” He decides that his first step towards recovery should involve a dinner party. Jack can’t help but notice that. He seems to dismiss it as coincidence. 

Will and Gideon are having a discussion through their cell walls, clearly staged because they knew Chilton would be listening. Will believes that Gideon has an “expiration date” if only because of their proximity - and because the Ripper knows Gideon is a threat. Will also believes that Chilton should be nervous; the only way Gideon or Chilton are getting out of this situation alive is if the Ripper is caught. Gideon is there merely to “bear witness.” He promises to tell Jack everything if Will tells him why the Ripper did all that he did. “Because he could,” he answers simply. Chilton is, of course, listening to - and recording - their conversation. He takes the recording to Jack and plays for him the portion where Gideon describes in detail what Hannibal’s dining room looks like. Chilton clearly knows that Hannibal is the Ripper - at the very least, he knows he is capable of it - but now seems to be getting nervous that what Will says is true. He tells Jack that he believes it is possible that Hannibal is the Chesapeake Ripper, and Jack points out Will is probably delusional. “But that doesn’t mean he isn’t right,” 

Hannibal pays Will a visit, to see if he understands his role in Beverly’s death. “If I were Beverly’s murderer, I would applaud your effort,” he offers. Hannibal feels that Will knew what he was doing, made his own decision, and has more control now than he ever has. But that leaves Hannibal wondering how many more people are going to get hurt. “I’ll give Alana Bloom your best,” he tells Will. This is clearly a threat. But Hannibal has to get back home; he has a dinner party to cook for. Heart tartare, beef roulade, Wagyu beef, prosciutto roses are all on the menu. So are several other men whose cards Hannibal pulls from his rolodex.

Several other bodies are rolled into the lab - presumably, Hannibal’s victims, though they don’t have any of the theatrics that the other Ripper victims had. 

Jack goes to speak with Gideon, and insists he was never in Hannibal’s house; he only met him a week ago, when he first came down to the prison/hospital. Gideon claims Chilton told him what Hannibal’s house looks like, and that Chilton did very little to disavow Will of the idea that Hannibal is the Ripper. Gideon manages to make one more subtle accusation before Chilton shuts it down, basically that Chilton hired the orderly who attempted to kill Hannibal, and set him up so that Will would take the blame for “ordering” the kill. Chilton doesn’t take too kindly to this, and on his way back to his cell, the guards accidentally-on-purpose make him fall down a flight of stairs, causing him to break his back.

Hannibal’s cocktail party is underway. White-gloved waiters set out platters of food as if they were performing a ballet. Jack is finally starting to believe Hannibal is the Ripper - and watches everyone eating the exotic snacks. Chilton greet Jack, claiming he is just there so Hannibal doesn’t suspect that he suspects him - then decides he shouldn’t be seen speaking with Jack. Hannibal thanks Jack for attending his party, but Jack can’t stay. He would, however, like to take some food home. Hannibal offers to have his staff make him a plate, but Jack insists on serving himself, from the food on the trays in front of him. Hannibal looks a little anxious, but agrees - and winks at Chilton across the room. Naturally, Jack takes the food straight to the lab to be tested.

After the party, Alana plays “Chopsticks” on the harpsichord while Hannibal oversees the clean-up effort. He sits with her. They are both feeling betrayed and hurt by Will. Alana thinks that he is no longer scared, which makes him dangerous. Hannibal thought that by walking away from Will, he could leave it behind, but find his accusations keep trailing him. Alana can’t forgive him for what Will did to Hannibal, and wants to walk away as well. Instead, in their shared “grief,” Alana leans in and kisses Hannibal. He returns the kisses. Later that night, they are in bed, naked, clearly post-coital. Hannibal snaps his fingers near her ear - she doesn’t wake. He slips from bed, wipes her wine glass down with a handkerchief, and tenderly pulls the blanket up over her shoulders. But Hannibal is not being a gentleman. He drugged Alana so he could slip out and she would be none the wiser. He pays a visit to Gideon, in the hospital with a broken back.

Jack arrives at the hospital, which is now a crime scene. There is a victim, suspended from fishing lures above Gideon’s bed - but that is not Gideon; it is one of his guards. Later, at the lab, the handmade fishing lures turn out to be identical to the lures created for the first rash of Ripper kills - just with different evidence. With Gideon’s injuries, it would have been physically impossible for him to kill this guard. This could only mean one thing: the Ripper found Gideon.

Alana wakes in the morning - and finds Hannibal in bed with her. She compares their evening together with “funeral sex.” Hannibal agrees - in a way, they just buried Will Graham. Alana feels liberated to finally let Will go. They start to fool around again, but an insistent ringing of the doorbell draws Hannibal, regretfully, from bed. It is Jack, here to ask Hannibal a few informal questions about Gideon, his injuries, and his guard’s murder. Hannibal insists he was at home all night. “Can anyone verify that?” Jack asks, assuming no one can. But Alana appears in the doorway, wearing nothing but one of Hannibal’s dress shirts, clearly unashamed of the tryst. “I can verify that. I was here all night.” Hannibal looks hurt that Jack would suspect him.

So Gideon is missing. With a broken back, he couldn’t have gotten far. Hannibal has him, seated at his dining room table, while he prepares a sumptuous feast: a clay-baked roast. “I love cooking with clay. It adds a theatricality to dinner,” he says as he cracks open the clay to get at the moist roast inside. But in this case, he doesn’t need to add any theatricality to dinner: they are about to dine on Gideon’s own leg. His broken back left him paralyzed, so it seemed a waste to see those limbs just wither and die. “You intend me to be my own last supper?” Gideon asks. “How does one politely decline a meal under these circumstances?” The answer is, he doesn’t. Gideon cuts a chunk of the leg roast and eats it. “My compliments to the chef.”

Tests are back on the food from Hannibal’s party. All the meat comes from the farm - in other words, it is all legal animal meat. But the techs dissected the fishing lures holding up the guard and found that, except for the bits of evidence (teeth, hair, fingernails, etc. that came from the four most recent victims) the fishing lures are identical. Whoever killed the guard, the judge, Beverly, and the Muralist is the same person who killed the victims for which Will is blamed. This exonerates Will Graham. There is one more interesting piece of evidence wrapped in the lures, a sliver of a tree bark that is rare to be found on the east coast. In fact, the area that this tree grows in is also the area where the water organisms live. This location is pinpointed on satellite map: Sommerville, Virginia.

Jack heads out - alone - to an abandoned barn in Sommerville. Breaks a padlock. Goes down into a basement. Sees a couple trap doors in the ground, set in round platforms. The first door contains nothing. The second door contains Miriam Lass.

Dig It or Bury It?

Holy hell I loved that “last supper” scene. That’s something you almost never see: someone eating their own flesh. 

I think that the food Hannibal was going to give Jack from the kitchen was human meat. For Hannibal, it is a game to watch the FBI director consume human flesh; watching a room full of acquaintances eat the rare meats would be amusing at best, and a waste of food at worst. And Alana, in a sense, was Hannibal’s next victim. He didn’t kill her, but once she learns the truth, she is probably going to wish she were dead.  

In a phenomenal season, I think this was the best episode - so far.

Chef’s Special

“Futamono” is a “lidded dish” in the kaiseki meal; typically a soup.

Prophecies?

Will is released from prison, back to the loving paws of his dogs. But he still has revenge on his mind…

TV Recap: 'Grimm' Episode 317 - 'Synchronicity'

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Grimm Episode 317
“Synchronicity”
Written By: Michael Golamco and Michael Dugan
Directed By: David Solomon
Original Airdate: 4 April 2014

In This Episode…

Meisner and Adalind reach the final stage of their epic trek across the European wilderness. They have arrived at a meeting spot in the forest, and Meisner goes to see if it is safe. It is not. He battles two verrat while two more abduct Adalind and the baby at gunpoint. They take her to their getaway van and discover the drivers dead. A black cloaked figure kills the two with guns on Adalind. It is Kelly, Nick’s mom. Neither Meisner nor Adalind know who she is, but she saved their lives - Meisner deems her trustworthy. Adalind, Kelly and the baby get on the cargo plane, while Meisner checks in with Renard, who also didn’t know who the contact was - he is surprised to hear it is a woman.

The flight was supposed to take Adalind to Brazil, but the appearance of the verrat makes Kelly untrusting of everyone involved in the rescue mission. She changes the flight path and offers to hold the baby while Adalind gets some rest. “We’re on an airplane. Where could I go with her?” Adalind agrees, and Kelly dangles a locket for the baby to play with. Its eyes glow purple and the necklace freezes at an odd angle. The airplane controls go crazy for a second, then everything returns to normal. The locket holds a picture of young Nick. She flashes back to the night she sent Nick off with Aunt Marie. Kelly doesn’t think it is a good idea, but Marie says they don’t have time for a better one.

The plane lands in an empty field, and they are greeted by an angry landowner who vows to call the police. Kelly does the only sane thing: knocks the man out and takes his truck. The truck has Oregon license plates. After a bit, Adalind recognizes where they are: they are going to Portland. “I know you are taking me to Sean Renard,” Adalind accuses. Kelly doesn’t know who Renard is, but assures her she is taking her someplace safe.

While putting away laundry, Nick finds Juliette’s engagement ring in his sock drawer. With all the wedding talk lately, he is considering proposing again. “When the time is right, we both know where it is,” Juliette assures him. Well, Nick decides the time is right. Juliette calls him down for dinner, and he pockets the ring. He is cutely nervous as he prepares his proposal, but of course, they are interrupted by a knock at the door. (Juliette knew what was coming anyway.) Nick and Juliette are both surprised to see Kelly at the door, but they are flat-out shocked when they discover Adalind is with her. Both she and Nick are on the offensive, but Kelly moves between them. “You are safe here! This is my son!”

There is chaotic yelling. Nick and Juliette don’t want Adalind there; Adalind worries that they will kill her. Only Kelly wants this to work out, and she quickly explains why. Nick and Juliette aren’t feeling any more generous or welcoming, but the baby throws a hexenbiest temper tantrum and Juliette realizes it is cold, wet, and hungry. She begrudgingly takes the two of them upstairs to warm up the baby - while assuring Nick she doesn’t trust her. 

Nick has a slightly more productive conversation when it is just he and his mom. Kelly forgot about the fact that she killed Adalind’s mom, and swears that if she knew who she was helping, she never would have agreed to it. But she is worried - the baby is only a few days old and already its powers are showing. Nick is surprised and informs his mother that he took Adalind’s powers away. “She must have gotten them back,” Kelly says. “That is why her baby is so special. The child has an extraordinary destiny,” which apparently will be decided depending on how it is raised. Juliette returns, convinced that it is no accident Adalind has returned to Portland. Nick wants them to go to the resistance, but Kelly doesn’t want that to happen. The baby can’t belong to the royals or the resistance. It needs to have a normal childhood. Apparently the only way that can happen is if the baby and the baby-mama stay with the Grimm until she can figure out what to do with them. Just then, there is another temper tantrum, and the trio run upstairs. Adalind is gone; the window is open; and the baby is alone on the bed. Juliette scoops it up but turns around and suddenly realizes she is holding a pillow. “I told you, that baby is powerful.” 

Kelly and Nick head out to find the pair, and she mentions Renard, assuming that is where they are going. Nick informs her that is his captain. “This just gets better and better,” she grumbles. Nick fills her in on the strange relationship he has with Renard, finishing by saying he doesn’t trust him; he just likes knowing what he is up to. They arrive at Renard’s building, and argue about the tactics. Nick wins, with his “let’s talk this out” theory - and heads into the building.

Adalind is already at Renard’s apartment, introducing him to his daughter.

Also: Nick is nervous about being a Grimm at a wesen wedding. He tells Monroe he doesn’t think it is a good idea, but he and Rosalee have a great idea: sunglasses! They then explain that, when a wesen shifts, a Grimm’s eyes turn black - well, more of an infinite darkness in which they see their wesen form. But with sunglasses on, all seems safe. Nick is still nervous, but agrees to give it a go.

Dig It or Bury It?

How did we get to the end of season three without knowing how wesen spotted a Grimm? There was a vague reference early on, something about how when a wesen shifts and a Grimm doesn’t bat an eye, they know. But clearly that is a crap explanation. I like this version better. 

I liked that this episode didn’t have a procedural element to it. There is so much rich lore that the procedural stories tend to weigh the story down. Hell, it even surprised Monroe when Nick came to him with the wedding problem. He assumed it would be a case.

Prophecies?

Victor and his team have figured out that Adalind is now in Portland and they are on their way. Nick begrudgingly decides that they need to work together.

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